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	<id>http://database.unearthingthemusic.eu/index.php?action=history&amp;feed=atom&amp;title=Horia_%C5%9Eurianu</id>
	<title>Horia Şurianu - Revision history</title>
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	<updated>2026-04-17T13:53:06Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3017&amp;oldid=prev</id>
		<title>Diogooutra at 16:54, 27 November 2020</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3017&amp;oldid=prev"/>
		<updated>2020-11-27T16:54:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:54, 27 November 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot; &gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Antonymes Sonores&amp;quot; (2014) for 6 instruments (Htb, Cl, Bn, 1 Perc., Vl, Vlc). Commissioned by the “Archaeus” Ensemble from Bucharest (Romania). Duration: approx. 10 '&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Antonymes Sonores&amp;quot; (2014) for 6 instruments (Htb, Cl, Bn, 1 Perc., Vl, Vlc). Commissioned by the “Archaeus” Ensemble from Bucharest (Romania). Duration: approx. 10 '&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;CONCERT MUSIC &lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Concert Music &lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Concerto for violin and orchestra&amp;quot; (1976) Premiered at the Romanian Radio-Television, Bucharest, 1975, by the Radio-Television Orchestra, soloist: Stefan Rodescu. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Concerto for violin and orchestra&amp;quot; (1976) Premiered at the Romanian Radio-Television, Bucharest, 1975, by the Radio-Television Orchestra, soloist: Stefan Rodescu. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Riga Crypto si Lapona Enigel&amp;quot; (1978-79) for flute and string orchestra. Commissioned by the Union of Composers of Romania. Creation in Tirgu-Mures, by the Tirgu-Mures Philharmonic Orchestra. Duration: approx. 16 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Riga Crypto si Lapona Enigel&amp;quot; (1978-79) for flute and string orchestra. Commissioned by the Union of Composers of Romania. Creation in Tirgu-Mures, by the Tirgu-Mures Philharmonic Orchestra. Duration: approx. 16 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l44&quot; &gt;Line 44:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 44:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Double Concerto for Piccolo Flute, Flute and Orchestra&amp;quot; (2015) Commissioned by the Banatul Philharmonic Orchestra of Timisoara (Romania) Creation in Timisoara at the Philharmonie Salle Capitol April 2015 within the framework of the International Festival Timisoara Muzicala by the Orchestra Banatul Philharmonic conducted by Michael Hasel (Germany), soloists Ion Bogdan Stefanescu - Flute and Vlad Alecsandru Colar - Flute Piccolo Published by Editions Kossack (Germany) 2015 Duration: approx. 25 '&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Double Concerto for Piccolo Flute, Flute and Orchestra&amp;quot; (2015) Commissioned by the Banatul Philharmonic Orchestra of Timisoara (Romania) Creation in Timisoara at the Philharmonie Salle Capitol April 2015 within the framework of the International Festival Timisoara Muzicala by the Orchestra Banatul Philharmonic conducted by Michael Hasel (Germany), soloists Ion Bogdan Stefanescu - Flute and Vlad Alecsandru Colar - Flute Piccolo Published by Editions Kossack (Germany) 2015 Duration: approx. 25 '&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;VOCAL&lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;INSTRUMENTAL AND LYRICAL MUSIC&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Vocal&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Instrumental and Lyrical Music&lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Three lieder for soprano and piano on poems by Apollinaire (1978-79) (&amp;quot;Clair de Lune&amp;quot;, &amp;quot;Les Colchiques&amp;quot;, &amp;quot;Adieu&amp;quot;) Creation in Bucharest, Sala Mica in Palatului, by Steliana Calos (soprano ) and Lavinia Tomulescu-Coman (piano). Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Three lieder for soprano and piano on poems by Apollinaire (1978-79) (&amp;quot;Clair de Lune&amp;quot;, &amp;quot;Les Colchiques&amp;quot;, &amp;quot;Adieu&amp;quot;) Creation in Bucharest, Sala Mica in Palatului, by Steliana Calos (soprano ) and Lavinia Tomulescu-Coman (piano). Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Children's Opera&amp;quot; (1990-91), ballet-opera. Commissioned by Compagnie A 7 Danse, with the creation assistance of the Ministry of Culture. Conception and choreography by Maïté Fossen. Creation at the Opéra d'Avignon (1991). Duration: approx. 1 h 10 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Children's Opera&amp;quot; (1990-91), ballet-opera. Commissioned by Compagnie A 7 Danse, with the creation assistance of the Ministry of Culture. Conception and choreography by Maïté Fossen. Creation at the Opéra d'Avignon (1991). Duration: approx. 1 h 10 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l52&quot; &gt;Line 52:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 52:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;La Chute de Babylone&amp;quot;, (2016) Oratorio for narrator, soloists, choir, organ and orchestra. Text recomposed from the Book of Daniel of the Old Testament by Horia Surianu: Creation by the Choir and Orchestra of the Banatul Philharmonic, Timisoara, October 2016. Direction Tiber Popovici. Soloists: Maria Onita (Soprano), Daniel Zah (Tenor), Lucian Onita (Baritone). Choir director: Iosif Todea. Organ: Cristina Struta. Commissioned by the 2016 Timorgelfest Festival, Timisoara, Romania. Duration: approx. 1h 00.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;La Chute de Babylone&amp;quot;, (2016) Oratorio for narrator, soloists, choir, organ and orchestra. Text recomposed from the Book of Daniel of the Old Testament by Horia Surianu: Creation by the Choir and Orchestra of the Banatul Philharmonic, Timisoara, October 2016. Direction Tiber Popovici. Soloists: Maria Onita (Soprano), Daniel Zah (Tenor), Lucian Onita (Baritone). Choir director: Iosif Todea. Organ: Cristina Struta. Commissioned by the 2016 Timorgelfest Festival, Timisoara, Romania. Duration: approx. 1h 00.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;CHAMBER MUSIC &lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Chamber Music &lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Four pieces for piano&amp;quot; (1977) Creation in Bucharest, Sala Mica in Palatului, by Lavinia Tomulescu-Coman. Published in the collection entitled: &amp;quot;Instrumental repertoire - piano pieces&amp;quot;, composed by Romanian composers, Editura Musicala, Bucuresti, 1979. Duration: approx. 3'30 ''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Four pieces for piano&amp;quot; (1977) Creation in Bucharest, Sala Mica in Palatului, by Lavinia Tomulescu-Coman. Published in the collection entitled: &amp;quot;Instrumental repertoire - piano pieces&amp;quot;, composed by Romanian composers, Editura Musicala, Bucuresti, 1979. Duration: approx. 3'30 ''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;String Quartet&amp;quot; (1980): Prelude, Cantilène I, Intermède, Cantilène II, Epilogue.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;String Quartet&amp;quot; (1980): Prelude, Cantilène I, Intermède, Cantilène II, Epilogue.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l72&quot; &gt;Line 72:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 72:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Fantasy in variations on a popular theme&amp;quot; (2015) for guitar and string quartet. Dedicated to guitarist Bogdan Mihailescu. Duration: approx. 7 '&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Fantasy in variations on a popular theme&amp;quot; (2015) for guitar and string quartet. Dedicated to guitarist Bogdan Mihailescu. Duration: approx. 7 '&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;BALLET MUSIC &lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Ballet Music &lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Four Pieces for Ballet&amp;quot; (1984) Performed in the Electronic Music Studio of the University of Surrey, Guilford, Great Britain. Creation in Rennes, by the Choreographic Theater of Rennes, in 1986. Choreography by Gigi Caciuleanu, in the show &amp;quot;News&amp;quot;. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Four Pieces for Ballet&amp;quot; (1984) Performed in the Electronic Music Studio of the University of Surrey, Guilford, Great Britain. Creation in Rennes, by the Choreographic Theater of Rennes, in 1986. Choreography by Gigi Caciuleanu, in the show &amp;quot;News&amp;quot;. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Six solos&amp;quot; (1985) Performed at the Electronic Studio of the University of Edinburgh, Scotland. Commissioned by Scottish Arts Council. Premiered in Edinburgh by Scotland's Contemporary Dance Theater, 1985. Choreography by Tom Yang. Duration: approx. 33'30 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Six solos&amp;quot; (1985) Performed at the Electronic Studio of the University of Edinburgh, Scotland. Commissioned by Scottish Arts Council. Premiered in Edinburgh by Scotland's Contemporary Dance Theater, 1985. Choreography by Tom Yang. Duration: approx. 33'30 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l80&quot; &gt;Line 80:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 80:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Variations pour deux violoncelles (Variation I, Variation II)&amp;quot; (1997) Commissioned by the Direction de la Danse (Ministry of Culture) for solo cello. Choreography (for educational purposes) by Maïté Fossen. Recording on CD and VHS video “Dance events”, produced by the Ministry of Culture, Paris, 1998. Duration: approx. 6 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Variations pour deux violoncelles (Variation I, Variation II)&amp;quot; (1997) Commissioned by the Direction de la Danse (Ministry of Culture) for solo cello. Choreography (for educational purposes) by Maïté Fossen. Recording on CD and VHS video “Dance events”, produced by the Ministry of Culture, Paris, 1998. Duration: approx. 6 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;PEDAGOGICAL MUSIC &lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Pedagogical Music &lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Le secret du silence&amp;quot; (1987), piece for 5 instruments (FI, Cl, Trb, VI, Vlc) and 3 children's choirs, to a text by Victor Hugo. Educational commission for the Music Conservatory of Juvisy-sur-Orge. Creation at the &amp;quot;Marius Constant&amp;quot; Center, Juvisy-sur-Orge, in 1987. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Le secret du silence&amp;quot; (1987), piece for 5 instruments (FI, Cl, Trb, VI, Vlc) and 3 children's choirs, to a text by Victor Hugo. Educational commission for the Music Conservatory of Juvisy-sur-Orge. Creation at the &amp;quot;Marius Constant&amp;quot; Center, Juvisy-sur-Orge, in 1987. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Le Repas&amp;quot; (1990-91), piece for orchestra (extract from the Children's Opera). Creation at the Opéra d'Avignon (1991). Duration: approx. 6 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Le Repas&amp;quot; (1990-91), piece for orchestra (extract from the Children's Opera). Creation at the Opéra d'Avignon (1991). Duration: approx. 6 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l94&quot; &gt;Line 94:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 94:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Volöd Notiz&amp;quot; (2008), musical tale for narrator, children's choir and orchestra on the libretto (text) by Cyrille Auchapt. Commissioned by the city of Blois and the Conservatory of Music in Blois. First performed at the “Halle aux Grains” in Blois in 2009 by the choirs of the Elementary Schools of Blois and an orchestra conducted by Jean-Claude Dodin. Duration: approx. 50 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Volöd Notiz&amp;quot; (2008), musical tale for narrator, children's choir and orchestra on the libretto (text) by Cyrille Auchapt. Commissioned by the city of Blois and the Conservatory of Music in Blois. First performed at the “Halle aux Grains” in Blois in 2009 by the choirs of the Elementary Schools of Blois and an orchestra conducted by Jean-Claude Dodin. Duration: approx. 50 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;CHORAL MUSIC &lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Choral Music &lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Am lubit&amp;quot; (1974), for mixed choir, on a poem by Nicolae Labis. Prize at the National Competition for the composition of choral music for young Romanian composers, Bucharest, 1974. First performance by the CNSM choir at the Bucharest Conservatory, 1974. Published by Editura Muzicala, Bucharest, 1980. Duration: approx. 3 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Am lubit&amp;quot; (1974), for mixed choir, on a poem by Nicolae Labis. Prize at the National Competition for the composition of choral music for young Romanian composers, Bucharest, 1974. First performance by the CNSM choir at the Bucharest Conservatory, 1974. Published by Editura Muzicala, Bucharest, 1980. Duration: approx. 3 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Zbor&amp;quot; (1978), for mixed choir, on a poem by Ion Serban Drincea. Third Prize at the National Choral Music Competition, Bucharest, 1977. Published by the Institute for Ethnological and Dialectological Research, Bucharest, 1978.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Zbor&amp;quot; (1978), for mixed choir, on a poem by Ion Serban Drincea. Third Prize at the National Choral Music Competition, Bucharest, 1977. Published by the Institute for Ethnological and Dialectological Research, Bucharest, 1978.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Diogooutra</name></author>
		
	</entry>
	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3016&amp;oldid=prev</id>
		<title>Diogooutra at 16:53, 27 November 2020</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3016&amp;oldid=prev"/>
		<updated>2020-11-27T16:53:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:53, 27 November 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l51&quot; &gt;Line 51:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 51:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Trois Chansons sur des poèmes de Mihai Eminescu&amp;quot;, (2013) for voice and piano: Peste vîrfuri (soprano), Prin nopti tacute (mezzo), Unda spuma (baritone) Commissioned by the National Competition for the Interpretation of the Song &amp;quot;Ionel Perlea &amp;quot;(Romania), May 2014. Duration: approx. 6'40&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Trois Chansons sur des poèmes de Mihai Eminescu&amp;quot;, (2013) for voice and piano: Peste vîrfuri (soprano), Prin nopti tacute (mezzo), Unda spuma (baritone) Commissioned by the National Competition for the Interpretation of the Song &amp;quot;Ionel Perlea &amp;quot;(Romania), May 2014. Duration: approx. 6'40&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;La Chute de Babylone&amp;quot;, (2016) Oratorio for narrator, soloists, choir, organ and orchestra. Text recomposed from the Book of Daniel of the Old Testament by Horia Surianu: Creation by the Choir and Orchestra of the Banatul Philharmonic, Timisoara, October 2016. Direction Tiber Popovici. Soloists: Maria Onita (Soprano), Daniel Zah (Tenor), Lucian Onita (Baritone). Choir director: Iosif Todea. Organ: Cristina Struta. Commissioned by the 2016 Timorgelfest Festival, Timisoara, Romania. Duration: approx. 1h 00.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;La Chute de Babylone&amp;quot;, (2016) Oratorio for narrator, soloists, choir, organ and orchestra. Text recomposed from the Book of Daniel of the Old Testament by Horia Surianu: Creation by the Choir and Orchestra of the Banatul Philharmonic, Timisoara, October 2016. Direction Tiber Popovici. Soloists: Maria Onita (Soprano), Daniel Zah (Tenor), Lucian Onita (Baritone). Choir director: Iosif Todea. Organ: Cristina Struta. Commissioned by the 2016 Timorgelfest Festival, Timisoara, Romania. Duration: approx. 1h 00.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== CHAMBER MUSIC ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== CHAMBER MUSIC ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Diogooutra</name></author>
		
	</entry>
	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3015&amp;oldid=prev</id>
		<title>Diogooutra at 16:52, 27 November 2020</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3015&amp;oldid=prev"/>
		<updated>2020-11-27T16:52:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:52, 27 November 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Horia Surianu.jpg|thumb|Horia Șurianu. Photo sourced from Discogs]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Horia Surianu.jpg|thumb|Horia Șurianu. Photo sourced from Discogs]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Horia &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Surianu &lt;/del&gt;(born July 3, 1952 in Timisoara) is a [[:Category:Romania|Romanian]] composer and musicologist. He studied composition at the conservatory in Bucharest. He has lived in France since 1983. Since 1997 he has been a full professor at the Bagnolet and Massy Conservatory and president of the Association Culturelle d'Expansion Musicale, Paris.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Horia &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Şurianu &lt;/ins&gt;(born July 3, 1952 in Timisoara) is a [[:Category:Romania|Romanian]] composer and musicologist. He studied composition at the conservatory in Bucharest. He has lived in France since 1983. Since 1997 he has been a full professor at the Bagnolet and Massy Conservatory and president of the Association Culturelle d'Expansion Musicale, Paris.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;work includes symphonic music, chamber music, ballet music, theater, film, choral music &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;electronic music performed on radio or &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;concerts &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Austria, Belgium&lt;/del&gt;, the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[:Category:Czech Republic|Czech Republic]], Cuba&lt;/del&gt;, France, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Germany&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[:Category:Greece|Greece]], Italy, [[:Category:Yugoslavia|Yugoslavia]], [[:Category:Poland|Poland]], United Kingdom, [[:Category:Romania|Romania]], United States, [[:Category:Slovakia|Slovakia]], Netherlands&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;musical education began with violin studies at the Ion Vidu Music High School in Timisoara followed by a Masters Degree &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;post-graduate studies &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;musical composition at the University of Bucharest within the framework of the Ciprian Porumbescu Higher National Conservatory of Music &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Romania&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;DEA (Diploma of Advanced Studies) and a Doctorate in Arts and Sciences of Art at &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;University of Paris 1&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Panthéon-Sorbonne in &lt;/ins&gt;France&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. He has been a guest composer at the electronic music studios of East Anglia University in Norwich&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;UK and has participated in the ballet music workshop at the University of Guilford in UK&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;as well as an internship in computer music at IRCAM in Paris&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;wrote numerous articles &lt;/del&gt;on &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;musicology&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;concert chronicles&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;didactic &lt;/del&gt;music, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;etc&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In terms of composition, he has written music in different genres (symphonic and concert music, chamber music, ballet, theater, television film, educational music, choral and electronic music). &lt;/ins&gt;He &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;has received commissions from cultural institutions, including the French State for a Concerto for saxophone and for &amp;quot;Évolutions Éphémères&amp;quot; (piece for ten instruments) or the Scottish Arts Council for Six Solos (ballet music. He was awarded the second prize at the International Composition Competition Marcel Josse in Paris for &amp;quot;Waves, Ondes, Contours&amp;quot; (piece for six alto saxophones).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;His music has been performed around the world on prestigious stages such as at Carnegie Hall in New York, at the Maison de Radio France, at the Centre Pompidou and at the Opéra Comique in Paris, at the Place Théâtre in London or at the Salle de at the Philharmonie Ateneul Român and at the Radio Hall in Bucharest as well as in other big cities such as Berlin, Budapest, Cologne, Edinburgh, La Plata, Münich, Vienna, etc.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;His compositions have been published by several labels such as Éditions Combre, Éditions Delatour, Éditions Henry Lemoin, Éditions Salabert in France, Éditions Kossack in Germany and Editura Muzicala in Romania. Several works have been burned &lt;/ins&gt;on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;CD or transmitted by Radios or Televisions in the world.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;His music is placed between spectral and modal research translated by intersections of certain areas of the sound spectrum combined with symmetrical modal structures both harmonically and melodically. The timing of this material is often designed by digital series resulting from continuously moving matrices (see for example the piece &amp;quot;Waves&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Waves&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Contours&amp;quot;). The composer is concerned about the proportion between consonance and dissonance in intellectual but also physiological perception by trying to find a balance (without going back to tonal &lt;/ins&gt;music&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Apart from composition, Horia Şurianu also leads an intense educational activity: associate professor at the University of Paris 1, Panthéon-Sorbonne, professor of composition, musical writing (harmony, counterpoint)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;analysis and the class of orchestra at the Bagnolet Conservatory of Music, Est-Ensemble (Grand Paris). For years he also worked as a professor of musical writing in the Conservatories of music of Massy and Fontenay-aux-Roses in the Paris region.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;His musicology articles have been published in various specialty journals and musical publications&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Selected compositions ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Selected compositions ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l91&quot; &gt;Line 91:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 101:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;youtube&amp;gt;https://www.youtube.com/watch?v=3Dv4pGJfirU&amp;amp;list=PLAQZOrY73zxVwNf0e_l9OTEfvp4z_iCIe&amp;lt;/youtube&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;youtube&amp;gt;https://www.youtube.com/watch?v=3Dv4pGJfirU&amp;amp;list=PLAQZOrY73zxVwNf0e_l9OTEfvp4z_iCIe&amp;lt;/youtube&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'&lt;/del&gt;''Text adapted from the Romanian Wikipedia''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Text adapted from the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;French and &lt;/ins&gt;Romanian Wikipedia''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Romanian Profiles]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Romanian Profiles]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Diogooutra</name></author>
		
	</entry>
	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3014&amp;oldid=prev</id>
		<title>Diogooutra at 16:33, 27 November 2020</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3014&amp;oldid=prev"/>
		<updated>2020-11-27T16:33:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:33, 27 November 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Selected compositions ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Selected compositions ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;MUSIC FOR ORCHESTRA OR INSTRUMENTAL ENSEMBLE&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Music for orchestra or instrumental ensemble&lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Alites&amp;quot; (1982) for 5 strings, piano and 2 percussions. Creation in Bucharest at Ateneul Roman, by the ensemble &amp;quot;Traiect&amp;quot;, direction: Sorin Lerescu. Duration: approx. 18'20 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Alites&amp;quot; (1982) for 5 strings, piano and 2 percussions. Creation in Bucharest at Ateneul Roman, by the ensemble &amp;quot;Traiect&amp;quot;, direction: Sorin Lerescu. Duration: approx. 18'20 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Esquisse pour un clair-obscur&amp;quot; (1985), for 6 instruments (FI, Cl, VI, Vlc, Piano and Sax soprano with a role of soloist). Premiered at the Théâtre des Sources in Fontenay-aux-Roses, by an ensemble directed by Robert Rey-Campagnolle (1989). Recording on CD by Daniel Kientzy and the Ensemble “Archaeus”, conducted by Liviu Danceanu, Nova Musica, Paris, 2001. Duration: approx. 9 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Esquisse pour un clair-obscur&amp;quot; (1985), for 6 instruments (FI, Cl, VI, Vlc, Piano and Sax soprano with a role of soloist). Premiered at the Théâtre des Sources in Fontenay-aux-Roses, by an ensemble directed by Robert Rey-Campagnolle (1989). Recording on CD by Daniel Kientzy and the Ensemble “Archaeus”, conducted by Liviu Danceanu, Nova Musica, Paris, 2001. Duration: approx. 9 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Ephemeral Evolutions&amp;quot; (1987) for 10 instruments (FI, Htb, Cl, Bn, 1 Perc, Synthesizer, VI, A, Vlc, Cb). Commissioned by the French State. Creation in Paris, Center Georges Pompidou, in 1988, by the ensemble &amp;quot;Directions&amp;quot;, direction: Yves Prin. Published by Editions Salabert (Paris), 1988. Duration: approx. 12 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Ephemeral Evolutions&amp;quot; (1987) for 10 instruments (FI, Htb, Cl, Bn, 1 Perc, Synthesizer, VI, A, Vlc, Cb). Commissioned by the French State. Creation in Paris, Center Georges Pompidou, in 1988, by the ensemble &amp;quot;Directions&amp;quot;, direction: Yves Prin. Published by Editions Salabert (Paris), 1988. Duration: approx. 12 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Beyond the estuary&amp;quot; (1988) orchestral piece. Commissioned by the Union des Conservatoires de Seine-Saint-Denis. Creation in Noisy-le-Sec by the Orchester de la Jeune Philharmonie de Seine-Saint-Denis, in 1989, conductor: Henri-Claude Fantapié. Recording on CD by the Orchester de la Jeune Philharmonie de Seine-Saint-Denis in 1995. Duration: approx. 12 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Beyond the estuary&amp;quot; (1988) orchestral piece. Commissioned by the Union des Conservatoires de Seine-Saint-Denis. Creation in Noisy-le-Sec by the Orchester de la Jeune Philharmonie de Seine-Saint-Denis, in 1989, conductor: Henri-Claude Fantapié. Recording on CD by the Orchester de la Jeune Philharmonie de Seine-Saint-Denis in 1995. Duration: approx. 12 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Ultimate Quasar&amp;quot; (1989) for 12 strings. Commissioned by ARIAM Ile-de-France. Creation in Paris, Maison de Radio-France (Grand Auditorium), by the Ensemble &amp;quot;Routes&amp;quot; and the Ensemble of strings of Massy, ​​in 1989, direction: Dominique Rouits. Duration: approx. 15'30 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Ultimate Quasar&amp;quot; (1989) for 12 strings. Commissioned by ARIAM Ile-de-France. Creation in Paris, Maison de Radio-France (Grand Auditorium), by the Ensemble &amp;quot;Routes&amp;quot; and the Ensemble of strings of Massy, ​​in 1989, direction: Dominique Rouits. Duration: approx. 15'30 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Jeux de Miroirs&amp;quot; (1992) orchestral piece. Commissioned by FNACEM. Creation in Yseure within the framework of the Euroterpe show: &amp;quot;Identités en jeux&amp;quot; at Yseurespace, in 1992, by the Orchester du Conservatoire de Moulin, conductor: Horia Surianu. Recording on CD (CD N ° 16 - Anthology of Romanian music) by the Massy Opera String Orchestra, conducted by Dominique Rouitz, Romanian Ministry of Culture, Bucharest, 2005. Duration: approx. 8 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Jeux de Miroirs&amp;quot; (1992) orchestral piece. Commissioned by FNACEM. Creation in Yseure within the framework of the Euroterpe show: &amp;quot;Identités en jeux&amp;quot; at Yseurespace, in 1992, by the Orchester du Conservatoire de Moulin, conductor: Horia Surianu. Recording on CD (CD N ° 16 - Anthology of Romanian music) by the Massy Opera String Orchestra, conducted by Dominique Rouitz, Romanian Ministry of Culture, Bucharest, 2005. Duration: approx. 8 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Mu Mo Ma Rhapsodie&amp;quot; (2000) orchestral piece (1 FI, 1 Htb, 1 Cl, 1 Bn, 1 Tp, 1 Cor, 1 Trb, 2 Perc, Strings). Commissioned by the Orchester de l'Opéra de Massy (Essonne). Premiered at the Massy Opera in 2000 by the Opera orchestra, conductor: Sheriff Mohie El Din. Published by Editions Combre, Paris, 2008. Duration: approx. 18 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Mu Mo Ma Rhapsodie&amp;quot; (2000) orchestral piece (1 FI, 1 Htb, 1 Cl, 1 Bn, 1 Tp, 1 Cor, 1 Trb, 2 Perc, Strings). Commissioned by the Orchester de l'Opéra de Massy (Essonne). Premiered at the Massy Opera in 2000 by the Opera orchestra, conductor: Sheriff Mohie El Din. Published by Editions Combre, Paris, 2008. Duration: approx. 18 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Broken Diffractions&amp;quot; (2001) for 7 instruments (Htb, Cl, Bn, 1 Perc, P &amp;quot;°, VI, Vlc) Commissioned by the Ensemble&amp;quot; Archaeus &amp;quot;from Bucharest (Romania). Creation in Bucharest in 2000 by the Ensemble &amp;quot;Archaeus&amp;quot; within the framework of the Festival &amp;quot;The International Week of New Music&amp;quot;, direction: Liviu Dànceanu Duration: approx 11'30.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Broken Diffractions&amp;quot; (2001) for 7 instruments (Htb, Cl, Bn, 1 Perc, P &amp;quot;°, VI, Vlc) Commissioned by the Ensemble&amp;quot; Archaeus &amp;quot;from Bucharest (Romania). Creation in Bucharest in 2000 by the Ensemble &amp;quot;Archaeus&amp;quot; within the framework of the Festival &amp;quot;The International Week of New Music&amp;quot;, direction: Liviu Dànceanu Duration: approx 11'30.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Tréfonds frémissant&amp;quot; (2007) for 12 instruments (Fl, Htb, Cl, Bn, Trp, Cor, Trb, 1 Perc, Vl, A, Vlc, Cb) Commissioned by the Contemporary Music Festival &amp;quot;The week of contemporary music From Bucharest. Premiered in Bucharest, May 2007 by the “Profil” Ensemble, Ditection Dan Dediu. Duration: approx 6'30.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Tréfonds frémissant&amp;quot; (2007) for 12 instruments (Fl, Htb, Cl, Bn, Trp, Cor, Trb, 1 Perc, Vl, A, Vlc, Cb) Commissioned by the Contemporary Music Festival &amp;quot;The week of contemporary music From Bucharest. Premiered in Bucharest, May 2007 by the “Profil” Ensemble, Ditection Dan Dediu. Duration: approx 6'30.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Syllogism and Doubt&amp;quot; (2008) for 7 instruments (Htb, Cl, Bn, 1 Perc., Pno, Vl, Vlc). Commissioned by the “Archaeus” Ensemble from Bucharest (Romania). Premiered in Bucharest in 2008 by the “Archaeus” Ensemble as part of the “Contemporary Music Week” Festival (18th edition), conductor: Liviu Danceanu Duration: approx. 13 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Syllogism and Doubt&amp;quot; (2008) for 7 instruments (Htb, Cl, Bn, 1 Perc., Pno, Vl, Vlc). Commissioned by the “Archaeus” Ensemble from Bucharest (Romania). Premiered in Bucharest in 2008 by the “Archaeus” Ensemble as part of the “Contemporary Music Week” Festival (18th edition), conductor: Liviu Danceanu Duration: approx. 13 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Antonymes Sonores&amp;quot; (2014) for 6 instruments (Htb, Cl, Bn, 1 Perc., Vl, Vlc). Commissioned by the “Archaeus” Ensemble from Bucharest (Romania). Duration: approx. 10 '&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Antonymes Sonores&amp;quot; (2014) for 6 instruments (Htb, Cl, Bn, 1 Perc., Vl, Vlc). Commissioned by the “Archaeus” Ensemble from Bucharest (Romania). Duration: approx. 10 '&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== CONCERT MUSIC ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== CONCERT MUSIC ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Concerto for violin and orchestra&amp;quot; (1976) Premiered at the Romanian Radio-Television, Bucharest, 1975, by the Radio-Television Orchestra, soloist: Stefan Rodescu. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Concerto for violin and orchestra&amp;quot; (1976) Premiered at the Romanian Radio-Television, Bucharest, 1975, by the Radio-Television Orchestra, soloist: Stefan Rodescu. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Riga Crypto si Lapona Enigel&amp;quot; (1978-79) for flute and string orchestra. Commissioned by the Union of Composers of Romania. Creation in Tirgu-Mures, by the Tirgu-Mures Philharmonic Orchestra. Duration: approx. 16 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Riga Crypto si Lapona Enigel&amp;quot; (1978-79) for flute and string orchestra. Commissioned by the Union of Composers of Romania. Creation in Tirgu-Mures, by the Tirgu-Mures Philharmonic Orchestra. Duration: approx. 16 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Concerto for saxophone and ensemble&amp;quot; (1984) Commissioned by the French State. Creation within the framework of the Festival of Contemporary Music of Havana, Cuba, 1993, by the Symphony Orchestra of the Grand Theater of Havana, soloist: Daniel Kientzy (saxophones), conductor: Gonzalo Romeu. Recording on CD by Daniel Kientzy (saxophones) and the Chamber Orchestra of the National Radio of Romania, conducted by Neil Thomson, Nova musica, Paris, 2001. Duration: approx. 17 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Concerto for saxophone and ensemble&amp;quot; (1984) Commissioned by the French State. Creation within the framework of the Festival of Contemporary Music of Havana, Cuba, 1993, by the Symphony Orchestra of the Grand Theater of Havana, soloist: Daniel Kientzy (saxophones), conductor: Gonzalo Romeu. Recording on CD by Daniel Kientzy (saxophones) and the Chamber Orchestra of the National Radio of Romania, conducted by Neil Thomson, Nova musica, Paris, 2001. Duration: approx. 17 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Cantilène Perdue&amp;quot; (1996) for solo chromatic accordion and ensemble (FI, Htb, Cl, Bn, Perc, Guitar, VI, A, Vlc, Cb). Commissioned by EIC Rennes. Creation by the EICR, 1996, soloist: Philippe Coquemont, conductor: Thierry Mercier. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Cantilène Perdue&amp;quot; (1996) for solo chromatic accordion and ensemble (FI, Htb, Cl, Bn, Perc, Guitar, VI, A, Vlc, Cb). Commissioned by EIC Rennes. Creation by the EICR, 1996, soloist: Philippe Coquemont, conductor: Thierry Mercier. Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Horalunga&amp;quot; (2003) for sopranino saxophone and ensemble (Trp, 2 Trb, Perc, Piano, Vl1, Vl2, A, Vlc, Cb) Commissioned by the Francis and Mica Salabert Foundation. Premiered by the “Ars Nova” Ensemble in Cluj (Romania) in 2005. Soloist: Daniel Kientzy, Conductor: Cornel Taranu. Duration: approx. 8 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Horalunga&amp;quot; (2003) for sopranino saxophone and ensemble (Trp, 2 Trb, Perc, Piano, Vl1, Vl2, A, Vlc, Cb) Commissioned by the Francis and Mica Salabert Foundation. Premiered by the “Ars Nova” Ensemble in Cluj (Romania) in 2005. Soloist: Daniel Kientzy, Conductor: Cornel Taranu. Duration: approx. 8 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Inimamé&amp;quot; (2005) for tenor saxophone and orchestra (Fl, Htb, Cl, Bn, Trp, Horn, Trb, 1 Perc, Strings) Commissioned by the Francis and Mica Salabert Foundation. Creation by the Philharmonic Orchestra &amp;quot;Mihail Jora&amp;quot; of Bacau (Romania) within the framework of the Festival &amp;quot;The days of contemporary music&amp;quot; in 2006 in Bacau. Soloist: Daniel Kientzy, Conductor: Ovidiu Balan. Duration: approx. 14 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Inimamé&amp;quot; (2005) for tenor saxophone and orchestra (Fl, Htb, Cl, Bn, Trp, Horn, Trb, 1 Perc, Strings) Commissioned by the Francis and Mica Salabert Foundation. Creation by the Philharmonic Orchestra &amp;quot;Mihail Jora&amp;quot; of Bacau (Romania) within the framework of the Festival &amp;quot;The days of contemporary music&amp;quot; in 2006 in Bacau. Soloist: Daniel Kientzy, Conductor: Ovidiu Balan. Duration: approx. 14 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Rocosu&amp;quot; (2006) for soprano saxophone and ensemble (Fl, Htb, Cl, Bn, Trp, Horn, Trb, 1 Perc, Strings) Commissioned by the Francis and Mica Salabert Foundation. Creation by the Philharmonic Orchestra of Timisoara (Romania) within the framework of the International Festival “Timisoara muzicala” in 2008. Soloist: Daniel Kientzy. Direction Jean-Claude Dodin Duration: approx. 8'30.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Rocosu&amp;quot; (2006) for soprano saxophone and ensemble (Fl, Htb, Cl, Bn, Trp, Horn, Trb, 1 Perc, Strings) Commissioned by the Francis and Mica Salabert Foundation. Creation by the Philharmonic Orchestra of Timisoara (Romania) within the framework of the International Festival “Timisoara muzicala” in 2008. Soloist: Daniel Kientzy. Direction Jean-Claude Dodin Duration: approx. 8'30.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Doiul-Iodul&amp;quot; (2008) for alto saxophone and string orchestra. Commissioned by the Francis and Mica Salabert Foundation. Creation by the Ensemble &amp;quot;Musique d'Avance&amp;quot;, as part of the &amp;quot;Three Days of Contemporary Music&amp;quot; at the Maison de la Magie in Blois. Soloist: Daniel Kientzy. Management: Jean-Claude Dodin. Duration: approx. 6'30.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Doiul-Iodul&amp;quot; (2008) for alto saxophone and string orchestra. Commissioned by the Francis and Mica Salabert Foundation. Creation by the Ensemble &amp;quot;Musique d'Avance&amp;quot;, as part of the &amp;quot;Three Days of Contemporary Music&amp;quot; at the Maison de la Magie in Blois. Soloist: Daniel Kientzy. Management: Jean-Claude Dodin. Duration: approx. 6'30.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Léandra&amp;quot; (2010) for Baritone Saxophone Solo and Ensemble (Timpani, Piano, Vl I, Vl II, A, Vlc, Cb) Commissioned by the Francis and Mica Salabert Foundation. Premiered by the “Mihail Jora” Philharmonic Orchestra of Bacau (Romania) in April 2011 in Bacau. Soloist: Daniel Kientzy, Direction Horia Surianu. Duration: approx. 8 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Léandra&amp;quot; (2010) for Baritone Saxophone Solo and Ensemble (Timpani, Piano, Vl I, Vl II, A, Vlc, Cb) Commissioned by the Francis and Mica Salabert Foundation. Premiered by the “Mihail Jora” Philharmonic Orchestra of Bacau (Romania) in April 2011 in Bacau. Soloist: Daniel Kientzy, Direction Horia Surianu. Duration: approx. 8 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Ciubumé&amp;quot; (2010) for Solo Bass Saxophone and Ensemble (Trp, Horn, Trb, Percussion, Piano) Commissioned by the Francis and Mica Salabert Foundation. Duration: approx. 11 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Ciubumé&amp;quot; (2010) for Solo Bass Saxophone and Ensemble (Trp, Horn, Trb, Percussion, Piano) Commissioned by the Francis and Mica Salabert Foundation. Duration: approx. 11 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Sîrboapa&amp;quot; (2011) for Solo Contrabass Saxophone and Ensemble (Fl, Htb, Cl, Bn, Trp, Horn, Trb) Commissioned by the Francis and Mica Salabert Foundation. Duration: approx. 4 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Sîrboapa&amp;quot; (2011) for Solo Contrabass Saxophone and Ensemble (Fl, Htb, Cl, Bn, Trp, Horn, Trb) Commissioned by the Francis and Mica Salabert Foundation. Duration: approx. 4 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Double Concerto for Piccolo Flute, Flute and Orchestra&amp;quot; (2015) Commissioned by the Banatul Philharmonic Orchestra of Timisoara (Romania) Creation in Timisoara at the Philharmonie Salle Capitol April 2015 within the framework of the International Festival Timisoara Muzicala by the Orchestra Banatul Philharmonic conducted by Michael Hasel (Germany), soloists Ion Bogdan Stefanescu - Flute and Vlad Alecsandru Colar - Flute Piccolo Published by Editions Kossack (Germany) 2015 Duration: approx. 25 '&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Double Concerto for Piccolo Flute, Flute and Orchestra&amp;quot; (2015) Commissioned by the Banatul Philharmonic Orchestra of Timisoara (Romania) Creation in Timisoara at the Philharmonie Salle Capitol April 2015 within the framework of the International Festival Timisoara Muzicala by the Orchestra Banatul Philharmonic conducted by Michael Hasel (Germany), soloists Ion Bogdan Stefanescu - Flute and Vlad Alecsandru Colar - Flute Piccolo Published by Editions Kossack (Germany) 2015 Duration: approx. 25 '&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===VOCAL-INSTRUMENTAL AND LYRICAL MUSIC===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===VOCAL-INSTRUMENTAL AND LYRICAL MUSIC===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;Three lieder for soprano and piano on poems by Apollinaire (1978-79) (&amp;quot;Clair de Lune&amp;quot;, &amp;quot;Les Colchiques&amp;quot;, &amp;quot;Adieu&amp;quot;) Creation in Bucharest, Sala Mica in Palatului, by Steliana Calos (soprano ) and Lavinia Tomulescu-Coman (piano). Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Three lieder for soprano and piano on poems by Apollinaire (1978-79) (&amp;quot;Clair de Lune&amp;quot;, &amp;quot;Les Colchiques&amp;quot;, &amp;quot;Adieu&amp;quot;) Creation in Bucharest, Sala Mica in Palatului, by Steliana Calos (soprano ) and Lavinia Tomulescu-Coman (piano). Duration: approx. 15 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&amp;quot;Children's Opera&amp;quot; (1990-91), ballet-opera. Commissioned by Compagnie A 7 Danse, with the creation assistance of the Ministry of Culture. Conception and choreography by Maïté Fossen. Creation at the Opéra d'Avignon (1991). Duration: approx. 1 h 10 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Children's Opera&amp;quot; (1990-91), ballet-opera. Commissioned by Compagnie A 7 Danse, with the creation assistance of the Ministry of Culture. Conception and choreography by Maïté Fossen. Creation at the Opéra d'Avignon (1991). Duration: approx. 1 h 10 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Si ...&amp;quot; (2002) for voice (Soprano or Tenor) and piano on a poem by Andrée Brunin. First performed by the tenor Damien Top at the Saint Roch Church in Paris, organized by the “Charles Oulmont” Foundation under the aegis of the Fondation de France in 2003. Duration: approx. 3'30 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Si ...&amp;quot; (2002) for voice (Soprano or Tenor) and piano on a poem by Andrée Brunin. First performed by the tenor Damien Top at the Saint Roch Church in Paris, organized by the “Charles Oulmont” Foundation under the aegis of the Fondation de France in 2003. Duration: approx. 3'30 &amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Aus meinem poetischen Hirnkasten&amp;quot; (2006) for Soprano, piano and percussion on a poem by WA Mozart. Creation within the framework of the Mozart Festival “Die lange Mozart Nacht” in 2006 in Augsburg (Germany) by the Trio Cervino. Duration: approx. 6 '.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Aus meinem poetischen Hirnkasten&amp;quot; (2006) for Soprano, piano and percussion on a poem by WA Mozart. Creation within the framework of the Mozart Festival “Die lange Mozart Nacht” in 2006 in Augsburg (Germany) by the Trio Cervino. Duration: approx. 6 '.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;Trois Chansons sur des poèmes de Mihai Eminescu&amp;quot;, (2013) for voice and piano: Peste vîrfuri (soprano), Prin nopti tacute (mezzo), Unda spuma (baritone) Commissioned by the National Competition for the Interpretation of the Song &amp;quot;Ionel Perlea &amp;quot;(Romania), May 2014. Duration: approx. 6'40&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;Trois Chansons sur des poèmes de Mihai Eminescu&amp;quot;, (2013) for voice and piano: Peste vîrfuri (soprano), Prin nopti tacute (mezzo), Unda spuma (baritone) Commissioned by the National Competition for the Interpretation of the Song &amp;quot;Ionel Perlea &amp;quot;(Romania), May 2014. Duration: approx. 6'40&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;- &lt;/del&gt;&amp;quot;La Chute de Babylone&amp;quot;, (2016) Oratorio for narrator, soloists, choir, organ and orchestra. Text recomposed from the Book of Daniel of the Old Testament by Horia Surianu: Creation by the Choir and Orchestra of the Banatul Philharmonic, Timisoara, October 2016. Direction Tiber Popovici. Soloists: Maria Onita (Soprano), Daniel Zah (Tenor), Lucian Onita (Baritone). Choir director: Iosif Todea. Organ: Cristina Struta. Commissioned by the 2016 Timorgelfest Festival, Timisoara, Romania. Duration: approx. 1h 00.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;quot;La Chute de Babylone&amp;quot;, (2016) Oratorio for narrator, soloists, choir, organ and orchestra. Text recomposed from the Book of Daniel of the Old Testament by Horia Surianu: Creation by the Choir and Orchestra of the Banatul Philharmonic, Timisoara, October 2016. Direction Tiber Popovici. Soloists: Maria Onita (Soprano), Daniel Zah (Tenor), Lucian Onita (Baritone). Choir director: Iosif Todea. Organ: Cristina Struta. Commissioned by the 2016 Timorgelfest Festival, Timisoara, Romania. Duration: approx. 1h 00.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Diogooutra</name></author>
		
	</entry>
	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3013&amp;oldid=prev</id>
		<title>Diogooutra at 16:30, 27 November 2020</title>
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		<updated>2020-11-27T16:30:34Z</updated>

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		<author><name>Diogooutra</name></author>
		
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		<id>http://database.unearthingthemusic.eu/index.php?title=Horia_%C5%9Eurianu&amp;diff=3011&amp;oldid=prev</id>
		<title>Diogooutra: Created page with &quot;Horia Șurianu. Photo sourced from Discogs Horia Surianu (born July 3, 1952 in Timisoara) is a Romanian composer and mus...&quot;</title>
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		<updated>2020-11-27T16:27:58Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/File:Horia_Surianu.jpg&quot; title=&quot;File:Horia Surianu.jpg&quot;&gt;thumb|Horia Șurianu. Photo sourced from Discogs&lt;/a&gt; Horia Surianu (born July 3, 1952 in Timisoara) is a &lt;a href=&quot;/Category:Romania&quot; title=&quot;Category:Romania&quot;&gt;Romanian&lt;/a&gt; composer and mus...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Horia Surianu.jpg|thumb|Horia Șurianu. Photo sourced from Discogs]]&lt;br /&gt;
Horia Surianu (born July 3, 1952 in Timisoara) is a [[:Category:Romania|Romanian]] composer and musicologist. He studied composition at the conservatory in Bucharest. He has lived in France since 1983. Since 1997 he has been a full professor at the Bagnolet and Massy Conservatory and president of the Association Culturelle d'Expansion Musicale, Paris.&lt;br /&gt;
&lt;br /&gt;
His work includes symphonic music, chamber music, ballet music, theater, film, choral music and electronic music performed on radio or in concerts in Austria, Belgium, the [[:Category:Czech Republic|Czech Republic]], Cuba, France, Germany, [[:Category:Greece|Greece]], Italy, [[:Category:Yugoslavia|Yugoslavia]], [[:Category:Poland|Poland]], United Kingdom, [[:Category:Romania|Romania]], United States, [[:Category:Slovakia|Slovakia]], Netherlands.&lt;br /&gt;
&lt;br /&gt;
He wrote numerous articles on musicology, concert chronicles, didactic music, etc.&lt;br /&gt;
&lt;br /&gt;
== Selected compositions ==&lt;br /&gt;
===MUSIC FOR ORCHESTRA OR INSTRUMENTAL ENSEMBLE===&lt;br /&gt;
- &amp;quot;Alites&amp;quot; (1982) for 5 strings, piano and 2 percussions. Creation in Bucharest at Ateneul Roman, by the ensemble &amp;quot;Traiect&amp;quot;, direction: Sorin Lerescu. Duration: approx. 18'20 &amp;quot;.&lt;br /&gt;
- &amp;quot;Esquisse pour un clair-obscur&amp;quot; (1985), for 6 instruments (FI, Cl, VI, Vlc, Piano and Sax soprano with a role of soloist). Premiered at the Théâtre des Sources in Fontenay-aux-Roses, by an ensemble directed by Robert Rey-Campagnolle (1989). Recording on CD by Daniel Kientzy and the Ensemble “Archaeus”, conducted by Liviu Danceanu, Nova Musica, Paris, 2001. Duration: approx. 9 &amp;quot;.&lt;br /&gt;
- &amp;quot;Ephemeral Evolutions&amp;quot; (1987) for 10 instruments (FI, Htb, Cl, Bn, 1 Perc, Synthesizer, VI, A, Vlc, Cb). Commissioned by the French State. Creation in Paris, Center Georges Pompidou, in 1988, by the ensemble &amp;quot;Directions&amp;quot;, direction: Yves Prin. Published by Editions Salabert (Paris), 1988. Duration: approx. 12 '.&lt;br /&gt;
- &amp;quot;Beyond the estuary&amp;quot; (1988) orchestral piece. Commissioned by the Union des Conservatoires de Seine-Saint-Denis. Creation in Noisy-le-Sec by the Orchester de la Jeune Philharmonie de Seine-Saint-Denis, in 1989, conductor: Henri-Claude Fantapié. Recording on CD by the Orchester de la Jeune Philharmonie de Seine-Saint-Denis in 1995. Duration: approx. 12 '.&lt;br /&gt;
- &amp;quot;Ultimate Quasar&amp;quot; (1989) for 12 strings. Commissioned by ARIAM Ile-de-France. Creation in Paris, Maison de Radio-France (Grand Auditorium), by the Ensemble &amp;quot;Routes&amp;quot; and the Ensemble of strings of Massy, ​​in 1989, direction: Dominique Rouits. Duration: approx. 15'30 &amp;quot;.&lt;br /&gt;
- &amp;quot;Jeux de Miroirs&amp;quot; (1992) orchestral piece. Commissioned by FNACEM. Creation in Yseure within the framework of the Euroterpe show: &amp;quot;Identités en jeux&amp;quot; at Yseurespace, in 1992, by the Orchester du Conservatoire de Moulin, conductor: Horia Surianu. Recording on CD (CD N ° 16 - Anthology of Romanian music) by the Massy Opera String Orchestra, conducted by Dominique Rouitz, Romanian Ministry of Culture, Bucharest, 2005. Duration: approx. 8 '.&lt;br /&gt;
- &amp;quot;Mu Mo Ma Rhapsodie&amp;quot; (2000) orchestral piece (1 FI, 1 Htb, 1 Cl, 1 Bn, 1 Tp, 1 Cor, 1 Trb, 2 Perc, Strings). Commissioned by the Orchester de l'Opéra de Massy (Essonne). Premiered at the Massy Opera in 2000 by the Opera orchestra, conductor: Sheriff Mohie El Din. Published by Editions Combre, Paris, 2008. Duration: approx. 18 '.&lt;br /&gt;
- &amp;quot;Broken Diffractions&amp;quot; (2001) for 7 instruments (Htb, Cl, Bn, 1 Perc, P &amp;quot;°, VI, Vlc) Commissioned by the Ensemble&amp;quot; Archaeus &amp;quot;from Bucharest (Romania). Creation in Bucharest in 2000 by the Ensemble &amp;quot;Archaeus&amp;quot; within the framework of the Festival &amp;quot;The International Week of New Music&amp;quot;, direction: Liviu Dànceanu Duration: approx 11'30.&lt;br /&gt;
- &amp;quot;Tréfonds frémissant&amp;quot; (2007) for 12 instruments (Fl, Htb, Cl, Bn, Trp, Cor, Trb, 1 Perc, Vl, A, Vlc, Cb) Commissioned by the Contemporary Music Festival &amp;quot;The week of contemporary music From Bucharest. Premiered in Bucharest, May 2007 by the “Profil” Ensemble, Ditection Dan Dediu. Duration: approx 6'30.&lt;br /&gt;
- &amp;quot;Syllogism and Doubt&amp;quot; (2008) for 7 instruments (Htb, Cl, Bn, 1 Perc., Pno, Vl, Vlc). Commissioned by the “Archaeus” Ensemble from Bucharest (Romania). Premiered in Bucharest in 2008 by the “Archaeus” Ensemble as part of the “Contemporary Music Week” Festival (18th edition), conductor: Liviu Danceanu Duration: approx. 13 '.&lt;br /&gt;
- &amp;quot;Antonymes Sonores&amp;quot; (2014) for 6 instruments (Htb, Cl, Bn, 1 Perc., Vl, Vlc). Commissioned by the “Archaeus” Ensemble from Bucharest (Romania). Duration: approx. 10 '&lt;br /&gt;
&lt;br /&gt;
=== CONCERT MUSIC ===&lt;br /&gt;
- &amp;quot;Concerto for violin and orchestra&amp;quot; (1976) Premiered at the Romanian Radio-Television, Bucharest, 1975, by the Radio-Television Orchestra, soloist: Stefan Rodescu. Duration: approx. 15 '.&lt;br /&gt;
- &amp;quot;Riga Crypto si Lapona Enigel&amp;quot; (1978-79) for flute and string orchestra. Commissioned by the Union of Composers of Romania. Creation in Tirgu-Mures, by the Tirgu-Mures Philharmonic Orchestra. Duration: approx. 16 '.&lt;br /&gt;
- &amp;quot;Concerto for saxophone and ensemble&amp;quot; (1984) Commissioned by the French State. Creation within the framework of the Festival of Contemporary Music of Havana, Cuba, 1993, by the Symphony Orchestra of the Grand Theater of Havana, soloist: Daniel Kientzy (saxophones), conductor: Gonzalo Romeu. Recording on CD by Daniel Kientzy (saxophones) and the Chamber Orchestra of the National Radio of Romania, conducted by Neil Thomson, Nova musica, Paris, 2001. Duration: approx. 17 '.&lt;br /&gt;
- &amp;quot;Cantilène Perdue&amp;quot; (1996) for solo chromatic accordion and ensemble (FI, Htb, Cl, Bn, Perc, Guitar, VI, A, Vlc, Cb). Commissioned by EIC Rennes. Creation by the EICR, 1996, soloist: Philippe Coquemont, conductor: Thierry Mercier. Duration: approx. 15 '.&lt;br /&gt;
- &amp;quot;Horalunga&amp;quot; (2003) for sopranino saxophone and ensemble (Trp, 2 Trb, Perc, Piano, Vl1, Vl2, A, Vlc, Cb) Commissioned by the Francis and Mica Salabert Foundation. Premiered by the “Ars Nova” Ensemble in Cluj (Romania) in 2005. Soloist: Daniel Kientzy, Conductor: Cornel Taranu. Duration: approx. 8 '.&lt;br /&gt;
- &amp;quot;Inimamé&amp;quot; (2005) for tenor saxophone and orchestra (Fl, Htb, Cl, Bn, Trp, Horn, Trb, 1 Perc, Strings) Commissioned by the Francis and Mica Salabert Foundation. Creation by the Philharmonic Orchestra &amp;quot;Mihail Jora&amp;quot; of Bacau (Romania) within the framework of the Festival &amp;quot;The days of contemporary music&amp;quot; in 2006 in Bacau. Soloist: Daniel Kientzy, Conductor: Ovidiu Balan. Duration: approx. 14 '.&lt;br /&gt;
- &amp;quot;Rocosu&amp;quot; (2006) for soprano saxophone and ensemble (Fl, Htb, Cl, Bn, Trp, Horn, Trb, 1 Perc, Strings) Commissioned by the Francis and Mica Salabert Foundation. Creation by the Philharmonic Orchestra of Timisoara (Romania) within the framework of the International Festival “Timisoara muzicala” in 2008. Soloist: Daniel Kientzy. Direction Jean-Claude Dodin Duration: approx. 8'30.&lt;br /&gt;
- &amp;quot;Doiul-Iodul&amp;quot; (2008) for alto saxophone and string orchestra. Commissioned by the Francis and Mica Salabert Foundation. Creation by the Ensemble &amp;quot;Musique d'Avance&amp;quot;, as part of the &amp;quot;Three Days of Contemporary Music&amp;quot; at the Maison de la Magie in Blois. Soloist: Daniel Kientzy. Management: Jean-Claude Dodin. Duration: approx. 6'30.&lt;br /&gt;
- &amp;quot;Léandra&amp;quot; (2010) for Baritone Saxophone Solo and Ensemble (Timpani, Piano, Vl I, Vl II, A, Vlc, Cb) Commissioned by the Francis and Mica Salabert Foundation. Premiered by the “Mihail Jora” Philharmonic Orchestra of Bacau (Romania) in April 2011 in Bacau. Soloist: Daniel Kientzy, Direction Horia Surianu. Duration: approx. 8 '.&lt;br /&gt;
- &amp;quot;Ciubumé&amp;quot; (2010) for Solo Bass Saxophone and Ensemble (Trp, Horn, Trb, Percussion, Piano) Commissioned by the Francis and Mica Salabert Foundation. Duration: approx. 11 '.&lt;br /&gt;
- &amp;quot;Sîrboapa&amp;quot; (2011) for Solo Contrabass Saxophone and Ensemble (Fl, Htb, Cl, Bn, Trp, Horn, Trb) Commissioned by the Francis and Mica Salabert Foundation. Duration: approx. 4 '.&lt;br /&gt;
- &amp;quot;Double Concerto for Piccolo Flute, Flute and Orchestra&amp;quot; (2015) Commissioned by the Banatul Philharmonic Orchestra of Timisoara (Romania) Creation in Timisoara at the Philharmonie Salle Capitol April 2015 within the framework of the International Festival Timisoara Muzicala by the Orchestra Banatul Philharmonic conducted by Michael Hasel (Germany), soloists Ion Bogdan Stefanescu - Flute and Vlad Alecsandru Colar - Flute Piccolo Published by Editions Kossack (Germany) 2015 Duration: approx. 25 '&lt;br /&gt;
&lt;br /&gt;
===VOCAL-INSTRUMENTAL AND LYRICAL MUSIC===&lt;br /&gt;
- Three lieder for soprano and piano on poems by Apollinaire (1978-79) (&amp;quot;Clair de Lune&amp;quot;, &amp;quot;Les Colchiques&amp;quot;, &amp;quot;Adieu&amp;quot;) Creation in Bucharest, Sala Mica in Palatului, by Steliana Calos (soprano ) and Lavinia Tomulescu-Coman (piano). Duration: approx. 15 '.&lt;br /&gt;
 &amp;quot;Children's Opera&amp;quot; (1990-91), ballet-opera. Commissioned by Compagnie A 7 Danse, with the creation assistance of the Ministry of Culture. Conception and choreography by Maïté Fossen. Creation at the Opéra d'Avignon (1991). Duration: approx. 1 h 10 &amp;quot;.&lt;br /&gt;
- &amp;quot;Si ...&amp;quot; (2002) for voice (Soprano or Tenor) and piano on a poem by Andrée Brunin. First performed by the tenor Damien Top at the Saint Roch Church in Paris, organized by the “Charles Oulmont” Foundation under the aegis of the Fondation de France in 2003. Duration: approx. 3'30 &amp;quot;.&lt;br /&gt;
- &amp;quot;Aus meinem poetischen Hirnkasten&amp;quot; (2006) for Soprano, piano and percussion on a poem by WA Mozart. Creation within the framework of the Mozart Festival “Die lange Mozart Nacht” in 2006 in Augsburg (Germany) by the Trio Cervino. Duration: approx. 6 '.&lt;br /&gt;
- &amp;quot;Trois Chansons sur des poèmes de Mihai Eminescu&amp;quot;, (2013) for voice and piano: Peste vîrfuri (soprano), Prin nopti tacute (mezzo), Unda spuma (baritone) Commissioned by the National Competition for the Interpretation of the Song &amp;quot;Ionel Perlea &amp;quot;(Romania), May 2014. Duration: approx. 6'40&lt;br /&gt;
- &amp;quot;La Chute de Babylone&amp;quot;, (2016) Oratorio for narrator, soloists, choir, organ and orchestra. Text recomposed from the Book of Daniel of the Old Testament by Horia Surianu: Creation by the Choir and Orchestra of the Banatul Philharmonic, Timisoara, October 2016. Direction Tiber Popovici. Soloists: Maria Onita (Soprano), Daniel Zah (Tenor), Lucian Onita (Baritone). Choir director: Iosif Todea. Organ: Cristina Struta. Commissioned by the 2016 Timorgelfest Festival, Timisoara, Romania. Duration: approx. 1h 00.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== CHAMBER MUSIC ===&lt;br /&gt;
- &amp;quot;Four pieces for piano&amp;quot; (1977) Creation in Bucharest, Sala Mica in Palatului, by Lavinia Tomulescu-Coman. Published in the collection entitled: &amp;quot;Instrumental repertoire - piano pieces&amp;quot;, composed by Romanian composers, Editura Musicala, Bucuresti, 1979. Duration: approx. 3'30 ''.&lt;br /&gt;
- &amp;quot;String Quartet&amp;quot; (1980): Prelude, Cantilène I, Intermède, Cantilène II, Epilogue.&lt;br /&gt;
Creation in Bucharest, Sala Mica in Palatului, by a Quartet of the Georges Enescu Philharmonic of Bucharest. Duration: approx. 19 '.&lt;br /&gt;
- &amp;quot;Refractio poesis&amp;quot; (1980) for flute, 2 pianos and narrator (or flute and magnetic tape), on the text &amp;quot;Joe Secund&amp;quot; by I. Barbu. First performed at Radio France (Grand Auditorium of the Maison de Radio France), by Pierre-Yves Artaud, 1983. Published by Editura Musicala, Bucuresti, 1992. Duration: approx. 14'20 &amp;quot;.&lt;br /&gt;
- &amp;quot;Cantus Rudis&amp;quot; (1981) for double bass and ensemble: 2 pianos, 4 saws, 2 cobzas (Romanian lute) or magnetic tape. Premiered in Bucharest, Ateneul Roman, by Fernando Grillo, 1981. Recording on CD Electrecord Bucharest, by Fernando Grillo, 1982. Duration: approx. 8 '.&lt;br /&gt;
- &amp;quot;Vritra&amp;quot; (1982) for clarinet and piano (or magnetic tape). Creation in Bucharest, Radiotelevisiunea Româna, by Aurelian Octav Popa. Published by Editura Musicale, Bucuresti, 1992. Duration: approx. 11'30 &amp;quot;.&lt;br /&gt;
- &amp;quot;Pantum sonata&amp;quot; (1982) for bassoon and piano. Recording in Bucharest Radiotelevisiunea Româna, by Miltiade Nenoiu (bassoon) and Remus Manoleanu (piano). Creation at Ateneul Roman, Bucharest, 1982. Duration: approx. 9'30 &amp;quot;.&lt;br /&gt;
- &amp;quot;Vagues, Ondes, Contours&amp;quot; (1983-84) for alto saxophone and magnetic tape (or 6 alto sax). Second Prize at the &amp;quot;Marcel Josse&amp;quot; International Composition Competition, Paris, 1984. Premiered at IRCAM, Paris, by Daniel Kientzy, 1984. Recording on CD - &amp;quot;Pur Sax&amp;quot; by Daniel Kientzy, 1997. Published by Editions Salabert, Paris , 1987. Duration: approx. ll'30 &amp;quot;.&lt;br /&gt;
- &amp;quot;Luisance des Tréfonds&amp;quot; (1992) for string quartet. Commissioned by the Marius Constant Musical Center in Juvisy-sur-Orge. Creation during the show &amp;quot;20 minutes pour Cioran&amp;quot;, at the Salle des Fêtes in Juvisy-sur-Orge, as part of the Vth Biennial of Musical and Choreographic Creation of Essonne, 1992. Duration: approx. 5 '.&lt;br /&gt;
- &amp;quot;Prelude to the twilight in Canna&amp;quot; (1997) for piano. Premiered in Nocara (Italy) by Juan Carlos Panarace, 1997. Duration: approx. 6 '.&lt;br /&gt;
- &amp;quot;Incantatio&amp;quot; (2001) for guitar and string quartet. First performed in Salinelles (France) as part of the Villevieille et Salinelles Festival, by the quartet &amp;quot;Amedro&amp;quot; and Michel Rolland (guitar), August 2001. Duration: approx. 11 '.&lt;br /&gt;
- &amp;quot;SonaTanoS&amp;quot; (2003) for piano. Premiered at the BKA theater in Berlin (Germany) in 2003 by Elzbieta Sternlicht. Published by Editions Combre, Paris, 2008. Duration: approx. 6 '.&lt;br /&gt;
- &amp;quot;Evocation&amp;quot; (2006) for solo guitar. Creation at the Town Hall of the 1st arrondissement of Paris in 2007, by Maryvonne Lambert. Published by Editions Henry Lemoine, Paris, 2007. Duration: approx. 7 '.&lt;br /&gt;
- &amp;quot;Dialogues croisés&amp;quot; (2009) Trio for Flute, Piano and Percussion, piece dedicated to the &amp;quot;Contraste&amp;quot; Trio. Composition realized within the framework of the artistic residency in Tescani (Romania), at the House of Creation George Enescu, August 2009. Creation in Bucharest within the framework of the Festival &amp;quot;The International Week of New Music&amp;quot; by the Trio &amp;quot;Contraste&amp;quot; at the “Cantacusino” Palace in May 2010. Duration: approx. 12 '&lt;br /&gt;
- &amp;quot;Triptyques en variations&amp;quot; (2009) for guitar quartet (Triptych I - duration: approx. 5'30 ''; Triptych II - duration: approx. 7 '; Triptych III - duration: approx. 10'). Commissioned by the MPAA of the City of Paris for the “Guitares Fusion” Festival. Creation by students of the Conservatories of Paris and the Paris region as part of the Festival at the Auditorium of Saint Germain in Paris, September 2009. Duration: approx. 22'30 ''.&lt;br /&gt;
- &amp;quot;Brume&amp;quot; (2010) for Flute and Guitar Commissioned by the Conservatoire à Rayonnement Régional of the City of Reims. First performed at the Conservatory of Reims by Odile Renault: Flute and Michel Rolland: Guitar in February 2011. Duration: approx. 11 '.&lt;br /&gt;
- &amp;quot;Rêverie Byzantine en Canon&amp;quot; (2012) for reed trio (Oboe, Clarinet, Bassoon) Commissioned by the Ensemble Archaeus for the Forum Neuer Musik Festival 2012 in Cologne (Germany) Created by the Ensemble Archaeus in April 2012 in Cologne (Germany) Duration: approx. 8 '&lt;br /&gt;
- &amp;quot;Fantasy in variations on a popular theme&amp;quot; (2015) for guitar and string quartet. Dedicated to guitarist Bogdan Mihailescu. Duration: approx. 7 '&lt;br /&gt;
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=== BALLET MUSIC ===&lt;br /&gt;
&lt;br /&gt;
- &amp;quot;Four Pieces for Ballet&amp;quot; (1984) Performed in the Electronic Music Studio of the University of Surrey, Guilford, Great Britain. Creation in Rennes, by the Choreographic Theater of Rennes, in 1986. Choreography by Gigi Caciuleanu, in the show &amp;quot;News&amp;quot;. Duration: approx. 15 '.&lt;br /&gt;
- &amp;quot;Six solos&amp;quot; (1985) Performed at the Electronic Studio of the University of Edinburgh, Scotland. Commissioned by Scottish Arts Council. Premiered in Edinburgh by Scotland's Contemporary Dance Theater, 1985. Choreography by Tom Yang. Duration: approx. 33'30 &amp;quot;.&lt;br /&gt;
- &amp;quot;Terra incognito&amp;quot; (1989) Commissioned by the A 7 Danse Company. First performed in Avignon at the Théâtre des Halles, by the A 7 Danse Company, in 1989. Choreography by Maïté Fossen. Duration: approx. 1hl0 '.&lt;br /&gt;
- &amp;quot;Sans pieds, ni tête&amp;quot; (1993) Commissioned by the Théâtre du Préau (Caen). First performed at the Théâtre d'Hérouville (Caen), by the A 7 Danse Company, in 1994. Choreography by Maïté Fossen. Duration: approx. 1h.&lt;br /&gt;
- &amp;quot;And our bursts of laughter!&amp;quot; (1995) Commissioned by Compagnie A 7 Danse with the help of the Ministry of Culture for the creation. First performed at the Théâtre de Cavaillon (national stage), by Compagnie A 7 Danse, in 1995. Choreography by Maïté Fossen. Duration: approx. 1h.&lt;br /&gt;
- &amp;quot;Variations pour deux violoncelles (Variation I, Variation II)&amp;quot; (1997) Commissioned by the Direction de la Danse (Ministry of Culture) for solo cello. Choreography (for educational purposes) by Maïté Fossen. Recording on CD and VHS video “Dance events”, produced by the Ministry of Culture, Paris, 1998. Duration: approx. 6 '.&lt;br /&gt;
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=== PEDAGOGICAL MUSIC ===&lt;br /&gt;
- &amp;quot;Le secret du silence&amp;quot; (1987), piece for 5 instruments (FI, Cl, Trb, VI, Vlc) and 3 children's choirs, to a text by Victor Hugo. Educational commission for the Music Conservatory of Juvisy-sur-Orge. Creation at the &amp;quot;Marius Constant&amp;quot; Center, Juvisy-sur-Orge, in 1987. Duration: approx. 15 '.&lt;br /&gt;
- &amp;quot;Le Repas&amp;quot; (1990-91), piece for orchestra (extract from the Children's Opera). Creation at the Opéra d'Avignon (1991). Duration: approx. 6 '.&lt;br /&gt;
- &amp;quot;Le Bal&amp;quot; (1990-91), piece for wind quintet (FI, Htb, CI, Cor, Bn), (extract from the Opéra des Enfants). Creation at the Opéra d'Avignon (1991). Duration: approx. 5 '.&lt;br /&gt;
- &amp;quot;Les Ordres&amp;quot; (1990-91), piece for Soprano and 3 equal children's voices, (extract from the Children's Opera). Creation at the Opéra d'Avignon (1991). Duration: approx. 4 '.&lt;br /&gt;
- &amp;quot;La Nuit&amp;quot; (1990-91), piece for Soprano, Flute, Viola, Cello (with or without sound effects on magnetic tape), (extract from the Children's Opera). Creation at the Opéra d'Avignon (1991). Duration: approx. 20 '.&lt;br /&gt;
- &amp;quot;SP Le Stylo-Plume&amp;quot; (1997), musical tale for children's choir and orchestra, based on a text by Joëlle Remondin, teachers and students of the Elementary School of the Wheel of Fontenay-aux-Roses . Commissioned by the Conservatory of Music, APEC and the City of Fontenay-aux-Roses. Creation at the Théâtre des Sources in Fontenay-aux-Roses in 1997, direction: Horia Surianu. Orchestral version and choral parts published by Editions Musicales COMBRE, 1998. Recording on CD by the orchestras of the Bagnolet and Fontenay-aux-Roses Conservatories and the children's choir of the Elementary School of the Roue de Fontenay-aux-Roses, direction Horia Surianu, city of Fontenay-aux-Roses, ADIAM 92, Paris MPO 1998. Piano - vocals version, published by Editions Musicales COMBRE, 2004. Duration: approx. 30'.&lt;br /&gt;
- &amp;quot;Elégie&amp;quot; (I997), piece for small orchestra. Commissioned by the Music Conservatory of Bagnolet. Premiered at the &amp;quot;Cin'hoche&amp;quot; in Bagnolet in 1997 by the Bagnolet Conservatory Orchestra, conductor: Horia Surianu. Recording on CD by the Orchester du Conservatoire de Bagnolet, conducted by Horia Surianu, 1999, EMMA de Bagnolet and Nova Musica. Duration: approx. 6 '.&lt;br /&gt;
- &amp;quot;Folie Espagnole&amp;quot; (1999), piece for orchestra. Commissioned by APEC from the Conservatory of Music of Fontenay-aux-Roses. First performed at the Théâtre des Sources in Fontenay-aux-Roses in 2000, by the EMMA Orchestra, conducted by Jean Devigne. Duration: approx. 9 '.&lt;br /&gt;
- &amp;quot;A dream trip&amp;quot; (2000), musical tale for narrator, solo voices, children's choir and orchestra, from the text by Bernard Chambaz &amp;quot;Neruda Tombouctou&amp;quot;. Commissioned by the General Council of Seine-Saint-Denis (93) and the city of Bagnolet. Creation at the Church of Notre-Dame de Pontmain de Bagnolet in 2000 by the Choir and Orchestra of the Conservatoire de Bagnolet, conductor: Horia Surianu. Recording on CD by the children's choir and the Orchester du Conservatoire de musique de Bagnolet, conducted by Horia Surianu, 2001, EMMA de Bagnolet and the Conseil Général de Seine-Saint-Denis (93). Duration: approx. 37 '.&lt;br /&gt;
- &amp;quot;Tambours rebelles&amp;quot; (2003), instrumental theater for orchestra. First performed at the Théâtre &amp;quot;le Samovar&amp;quot; in Bagnolet in May 2003 by the Orchester du Conservatoire de Bagnolet and the Compagnie Déviation. Management: Horia Surianu. Director: Barbara Boichot. Instrumentarium: Alain Mignon. Commissioned by the General Council of Seine-Saint-Denis (93) and the city of Bagnolet. Duration: approx. 40 '.&lt;br /&gt;
- &amp;quot;Why is it always on me that it falls!&amp;quot; (2005), cantata for soloists, children's choir and orchestra. Premiered at the “Samovar” Theater in Bagnolet in 2006 by the Compagnie Déviation. Management: Horia Surianu. Commissioned by Compagnie Déviation and the city of Bagnolet, with the help of the Seine Saint Denis General Council. Duration: approx. 45 '.&lt;br /&gt;
- &amp;quot;Volöd Notiz&amp;quot; (2008), musical tale for narrator, children's choir and orchestra on the libretto (text) by Cyrille Auchapt. Commissioned by the city of Blois and the Conservatory of Music in Blois. First performed at the “Halle aux Grains” in Blois in 2009 by the choirs of the Elementary Schools of Blois and an orchestra conducted by Jean-Claude Dodin. Duration: approx. 50 '.&lt;br /&gt;
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=== CHORAL MUSIC ===&lt;br /&gt;
- &amp;quot;Am lubit&amp;quot; (1974), for mixed choir, on a poem by Nicolae Labis. Prize at the National Competition for the composition of choral music for young Romanian composers, Bucharest, 1974. First performance by the CNSM choir at the Bucharest Conservatory, 1974. Published by Editura Muzicala, Bucharest, 1980. Duration: approx. 3 '.&lt;br /&gt;
- &amp;quot;Zbor&amp;quot; (1978), for mixed choir, on a poem by Ion Serban Drincea. Third Prize at the National Choral Music Competition, Bucharest, 1977. Published by the Institute for Ethnological and Dialectological Research, Bucharest, 1978.&lt;br /&gt;
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&amp;lt;youtube&amp;gt;https://www.youtube.com/watch?v=3Dv4pGJfirU&amp;amp;list=PLAQZOrY73zxVwNf0e_l9OTEfvp4z_iCIe&amp;lt;/youtube&amp;gt;&lt;br /&gt;
&lt;br /&gt;
'''Text adapted from the Romanian Wikipedia''&lt;br /&gt;
[[Category: Romanian Profiles]]&lt;/div&gt;</summary>
		<author><name>Diogooutra</name></author>
		
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