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	<id>http://database.unearthingthemusic.eu/index.php?action=history&amp;feed=atom&amp;title=Ilja_Zeljenka</id>
	<title>Ilja Zeljenka - Revision history</title>
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	<updated>2026-04-20T05:34:54Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>http://database.unearthingthemusic.eu/index.php?title=Ilja_Zeljenka&amp;diff=1047&amp;oldid=prev</id>
		<title>Diogo at 12:51, 11 April 2019</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Ilja_Zeljenka&amp;diff=1047&amp;oldid=prev"/>
		<updated>2019-04-11T12:51:56Z</updated>

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&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:51, 11 April 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ilja Zeljenka (21 December 1932 – 13 July 2007) was a Slovak composer.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ilja Zeljenka (21 December 1932 – 13 July 2007) was a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[:Category: Slovakia|&lt;/ins&gt;Slovak&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;composer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Born in Bratislava, Zeljenka studied music with Jan Cikker from 1951-1956. During the 1970s his more experimental approach was suppressed by the Communist regime in Czechoslovakia, which led him to produce pieces based on folk music and neoromantic styles. His very large output includes three operas (including Bátoryčka (1994), based on the story of Elizabeth Báthory and Posledné dni Veľkej Moravy [The Last Days of Greater Moravia] (1996)), film music, piano works (including two pieces for piano and bongos), fourteen string quartets, nine symphonies, theatre music and electronic music. Among his vocal compositions is the cantata Oświęcim (1959), about the Auschwitz concentration camp.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Born in Bratislava, Zeljenka studied music with Jan Cikker from 1951-1956. During the 1970s his more experimental approach was suppressed by the Communist regime in Czechoslovakia, which led him to produce pieces based on folk music and neoromantic styles. His very large output includes three operas (including Bátoryčka (1994), based on the story of Elizabeth Báthory and Posledné dni Veľkej Moravy [The Last Days of Greater Moravia] (1996)), film music, piano works (including two pieces for piano and bongos), fourteen string quartets, nine symphonies, theatre music and electronic music. Among his vocal compositions is the cantata Oświęcim (1959), about the Auschwitz concentration camp.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>Diogo</name></author>
		
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	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Ilja_Zeljenka&amp;diff=1046&amp;oldid=prev</id>
		<title>Diogo: Created page with &quot;Ilja Zeljenka (21 December 1932 – 13 July 2007) was a Slovak composer.  Born in Bratislava, Zeljenka studied music with Jan Cikker from 1951-1956. During the 1970s his more...&quot;</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Ilja_Zeljenka&amp;diff=1046&amp;oldid=prev"/>
		<updated>2019-04-11T12:51:30Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;Ilja Zeljenka (21 December 1932 – 13 July 2007) was a Slovak composer.  Born in Bratislava, Zeljenka studied music with Jan Cikker from 1951-1956. During the 1970s his more...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Ilja Zeljenka (21 December 1932 – 13 July 2007) was a Slovak composer.&lt;br /&gt;
&lt;br /&gt;
Born in Bratislava, Zeljenka studied music with Jan Cikker from 1951-1956. During the 1970s his more experimental approach was suppressed by the Communist regime in Czechoslovakia, which led him to produce pieces based on folk music and neoromantic styles. His very large output includes three operas (including Bátoryčka (1994), based on the story of Elizabeth Báthory and Posledné dni Veľkej Moravy [The Last Days of Greater Moravia] (1996)), film music, piano works (including two pieces for piano and bongos), fourteen string quartets, nine symphonies, theatre music and electronic music. Among his vocal compositions is the cantata Oświęcim (1959), about the Auschwitz concentration camp.&lt;br /&gt;
&lt;br /&gt;
''Text adapted from Wikipedia.''&lt;br /&gt;
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[[Category: Slovak Profiles]] [[Category: Czechoslovak Profiles]]&lt;/div&gt;</summary>
		<author><name>Diogo</name></author>
		
	</entry>
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