Miklós Dolinszky interviews László Hortobágyi (April 2003) - Revision history

Diogo: Text replacement - "Hungarian Contributions" to "Hungarian Content"

2019-04-04T15:32:02Z

Text replacement - "Hungarian Contributions" to "Hungarian Content"

Diogo at 16:02, 27 March 2018

2018-03-27T16:02:47Z

Diogo at 15:28, 20 March 2018

2018-03-20T15:28:30Z

Diogo at 12:39, 16 March 2018

2018-03-16T12:39:49Z

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Diogo at 16:32, 15 March 2018

2018-03-15T16:32:24Z

Diogo: Created page with "Hungarian musician and musicologist László Hortobágyi was born in 1950 in Budapest, where he still resides today. An explorer and scholar of music and sounds from all over..."

2018-03-15T16:18:18Z

Created page with "Hungarian musician and musicologist László Hortobágyi was born in 1950 in Budapest, where he still resides today. An explorer and scholar of music and sounds from all over..."

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← Older revision		Revision as of 15:32, 4 April 2019
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	<em>(June, 2003)</em>		<em>(June, 2003)</em>

−	[[Category:Hungarian ~~Contributions~~]] [[Category: Interviews]]	+	[[Category:Hungarian Content]] [[Category: Interviews]]

← Older revision		Revision as of 16:02, 27 March 2018
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	<em>(June, 2003)</em>		<em>(June, 2003)</em>

−	[[Category:Hungarian Contributions]]	+	[[Category:Hungarian Contributions]] [[Category: Interviews]]

← Older revision		Revision as of 15:28, 20 March 2018
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−	Hungarian musician and ~~musicologist László~~ Hortobágyi was born in 1950 in Budapest, where he still resides today. An explorer and scholar of music and sounds from all over the world, he first visited North India in 1967 in order to learn instruments such as the rudra-vina, sitar, surbahar and the tabla, but also to record music and delve into Indian philosophy. In 1981 he founded the Gáyan Uttejak Society, an imaginary musical organisation which functioned at the same time as a studio and an archive of his discoveries in ethno-musicology. A keen innovator in the technological arena as well (devising his own sound processing software and using computers in music as early as 1988), he frequently combines instruments and musical structures from the past and future, East and West in order to create the lush, exotic soundscapes of the worlds and cultures he brings to life in each of his pieces.	+	Hungarian musician and musicologist [[László Hortobágyi]] was born in 1950 in Budapest, where he still resides today. An explorer and scholar of music and sounds from all over the world, he first visited North India in 1967 in order to learn instruments such as the rudra-vina, sitar, surbahar and the tabla, but also to record music and delve into Indian philosophy. In 1981 he founded the Gáyan Uttejak Society, an imaginary musical organisation which functioned at the same time as a studio and an archive of his discoveries in ethno-musicology. A keen innovator in the technological arena as well (devising his own sound processing software and using computers in music as early as 1988), he frequently combines instruments and musical structures from the past and future, East and West in order to create the lush, exotic soundscapes of the worlds and cultures he brings to life in each of his pieces.

	László Hortobágyi has generously allowed us to include his work in the UMCSEET project, and over the coming weeks we will be publishing some highlights of his extensive catalogue, as well as interviews and essays by the artist. Below, you can read an interview conducted by Miklós Dolinszky in 2003 that touches on themes of ethno-musical history, the impact of technology on society and music, among others. You can also find out more about the artist and his Gáyan Uttejak Orchestra (Guo) in his site by [http://guo.hu clicking here].		László Hortobágyi has generously allowed us to include his work in the UMCSEET project, and over the coming weeks we will be publishing some highlights of his extensive catalogue, as well as interviews and essays by the artist. Below, you can read an interview conducted by Miklós Dolinszky in 2003 that touches on themes of ethno-musical history, the impact of technology on society and music, among others. You can also find out more about the artist and his Gáyan Uttejak Orchestra (Guo) in his site by [http://guo.hu clicking here].

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 László Hortobágyi has generously allowed us to include his work in the UMCSEET project, and over the coming weeks we will be publishing some highlights of his extensive catalogue, as well as interviews and essays by the artist. Below, you can read an interview conducted by Miklós Dolinszky in 2003 that touches on themes of ethno-musical history, the impact of technology on society and music, among others. You can also find out more about the artist and his Gáyan Uttejak Orchestra (Guo) in his site by <a href="http://guo.hu">clicking here.
-&nbsp;
+[[File:Horto-Live 2010 Sitar-4.jpg|thumb|right|László Hortobágyi playing the sitar]]
-<h2 style="text-align: center;"><strong><em>An interview by </em></strong><strong><em>Miklós Dolinszky with </em></strong><strong><em>László Hortobágyi (</em></strong><strong><em>April 2003).</em></strong></h2>
+An interview by Miklós Dolinszky with László Hortobágyi (April 2003).
-<h3 style="text-align: center;"><span style="font-size: 18pt;"><strong><em>Originally included in “Miklós Dolinszky: </em></strong><strong><em>Timequake - Nine Musicians, Ten Confessions”</em></strong></span></h3>
-<h3 style="text-align: center;"><span style="font-size: 18pt;"><strong><em>(Osiris Publishing House, Budapest 2004)</em></strong></span></h3>
+Originally included in “Miklós Dolinszky: Timequake - Nine Musicians, Ten Confessions” - (Osiris Publishing House, Budapest 2004)</em></strong></span></h3>
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