Phonos Laboratory of Electroacoustic Music - Revision history

Diogooutra at 16:32, 24 January 2020

2020-01-24T16:32:00Z

Diogo at 19:00, 23 June 2019

2019-06-23T19:00:11Z

Diogo at 18:59, 23 June 2019

2019-06-23T18:59:41Z

Diogo at 18:58, 23 June 2019

2019-06-23T18:58:02Z

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The Phonos Laboratory of Electroacoustic music, founded in 1974 by [[Josep Maria Mestres Quadreny]], [[Andrés Lewin-Richter]] and [[Lluís Callejo i Creus]], was the first electroacoustic music studio in Catalonia, Spain. It was known as a space for experimentation which, under the direction of a musician of Chilean origin, [[Gabriel Brncic]], would become a point of generational transfer and catalyzing the concerns of musicians that approached him from conservatories (such as [[Mercè Capdevila]], [[Alberto Iglesias]], [[Eduardo Polonio]]) or jazz and post-Islamic dissidents.

The Free Improvisation Collective was a musical project created in Phonos in 1980 by [[Claudio Zulián]] and [[Joan Josep Ordinas]], where musicians from all these currents circulated. This mixture of ideas resulted in new collective projects, such as [[Naïf]], [[Cuarto Albano]] or [[Multimúsica]]. Phonos became a foundation in 1984 and eventually joined with the Miró Foundation. Later, it moved to Pompeu Fabra University, from where it provided academic access to associated musicians and nurtured new generations of experimenters. Meanwhile, the Metronome room, a private initiative by [[Rafael Tous]], periodically opened to sound experimentation linked to contemporary art (until 2006); Later, the most radical scenes took refuge in neighborhood clubs, such as L' Orquídea.

[[Category: Spanish Profiles]]

← Older revision		Revision as of 16:32, 24 January 2020
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	The Free Improvisation Collective was a musical project created in Phonos in 1980 by [[Claudio Zulián]] and [[Joan Josep Ordinas]], where musicians from all these currents circulated. This mixture of ideas resulted in new collective projects, such as [[Naïf]], [[Cuarto Albano]] or [[Multimúsica]]. Phonos became a foundation in 1984 and eventually joined with the Miró Foundation. Later, it moved to Pompeu Fabra University, from where it provided academic access to associated musicians and nurtured new generations of experimenters. Meanwhile, the Metronome room, a private initiative by [[Rafael Tous]], periodically opened to sound experimentation linked to contemporary art (until 2006); Later, the most radical scenes took refuge in neighborhood clubs, such as L' Orquídea.		The Free Improvisation Collective was a musical project created in Phonos in 1980 by [[Claudio Zulián]] and [[Joan Josep Ordinas]], where musicians from all these currents circulated. This mixture of ideas resulted in new collective projects, such as [[Naïf]], [[Cuarto Albano]] or [[Multimúsica]]. Phonos became a foundation in 1984 and eventually joined with the Miró Foundation. Later, it moved to Pompeu Fabra University, from where it provided academic access to associated musicians and nurtured new generations of experimenters. Meanwhile, the Metronome room, a private initiative by [[Rafael Tous]], periodically opened to sound experimentation linked to contemporary art (until 2006); Later, the most radical scenes took refuge in neighborhood clubs, such as L' Orquídea.

−	[[Category: Spanish Profiles]]	+	[[Category: Spanish Profiles]] [[Category: Spanish Institutions]]

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-The Phonos Laboratory of Electroacoustic music, founded in 1974 by [[Josep Mestres Quadreny||Josep Maria Mestres Quadreny]], [[Andrés Lewin-Richter]] and [[Lluís Callejo i Creus]], was the first electroacoustic music studio in Catalonia, Spain. It was known as a space for experimentation which, under the direction of a musician of Chilean origin, [[Gabriel Brncic]], would become a point of generational transfer and catalyzing the concerns of musicians that approached him from conservatories (such as [[Mercè Capdevila]], [[Alberto Iglesias]], [[Eduardo Polonio]]) or jazz and post-Laietana dissidents.
+The Phonos Laboratory of Electroacoustic music, founded in 1974 by [[Josep Mestres Quadreny|Josep Maria Mestres Quadreny]], [[Andrés Lewin-Richter]] and [[Lluís Callejo i Creus]], was the first electroacoustic music studio in Catalonia, Spain. It was known as a space for experimentation which, under the direction of a musician of Chilean origin, [[Gabriel Brncic]], would become a point of generational transfer and catalyzing the concerns of musicians that approached him from conservatories (such as [[Mercè Capdevila]], [[Alberto Iglesias]], [[Eduardo Polonio]]) or jazz and post-Laietana dissidents.
 The Free Improvisation Collective was a musical project created in Phonos in 1980 by [[Claudio Zulián]] and [[Joan Josep Ordinas]], where musicians from all these currents circulated. This mixture of ideas resulted in new collective projects, such as [[Naïf]], [[Cuarto Albano]] or [[Multimúsica]]. Phonos became a foundation in 1984 and eventually joined with the Miró Foundation. Later, it moved to Pompeu Fabra University, from where it provided academic access to associated musicians and nurtured new generations of experimenters. Meanwhile, the Metronome room, a private initiative by [[Rafael Tous]], periodically opened to sound experimentation linked to contemporary art (until 2006); Later, the most radical scenes took refuge in neighborhood clubs, such as L' Orquídea.
 [[Category: Spanish Profiles]]

@@ Line 1: / Line 1: @@
-The Phonos Laboratory of Electroacoustic music, founded in 1974 by [[Josep Maria Mestres Quadreny]], [[Andrés Lewin-Richter]] and [[Lluís Callejo i Creus]], was the first electroacoustic music studio in Catalonia, Spain. It was known as a space for experimentation which, under the direction of a musician of Chilean origin, [[Gabriel Brncic]], would become a point of generational transfer and catalyzing the concerns of musicians that approached him from conservatories (such as [[Mercè Capdevila]], [[Alberto Iglesias]], [[Eduardo Polonio]]) or jazz and post-Laietana dissidents.
+The Phonos Laboratory of Electroacoustic music, founded in 1974 by [[Josep Mestres Quadreny||Josep Maria Mestres Quadreny]], [[Andrés Lewin-Richter]] and [[Lluís Callejo i Creus]], was the first electroacoustic music studio in Catalonia, Spain. It was known as a space for experimentation which, under the direction of a musician of Chilean origin, [[Gabriel Brncic]], would become a point of generational transfer and catalyzing the concerns of musicians that approached him from conservatories (such as [[Mercè Capdevila]], [[Alberto Iglesias]], [[Eduardo Polonio]]) or jazz and post-Laietana dissidents.
 The Free Improvisation Collective was a musical project created in Phonos in 1980 by [[Claudio Zulián]] and [[Joan Josep Ordinas]], where musicians from all these currents circulated. This mixture of ideas resulted in new collective projects, such as [[Naïf]], [[Cuarto Albano]] or [[Multimúsica]]. Phonos became a foundation in 1984 and eventually joined with the Miró Foundation. Later, it moved to Pompeu Fabra University, from where it provided academic access to associated musicians and nurtured new generations of experimenters. Meanwhile, the Metronome room, a private initiative by [[Rafael Tous]], periodically opened to sound experimentation linked to contemporary art (until 2006); Later, the most radical scenes took refuge in neighborhood clubs, such as L' Orquídea.
 [[Category: Spanish Profiles]]