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	<id>http://database.unearthingthemusic.eu/index.php?action=history&amp;feed=atom&amp;title=Vladan_Radovanovi%C4%87</id>
	<title>Vladan Radovanović - Revision history</title>
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	<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;action=history"/>
	<updated>2026-08-11T21:12:22Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;diff=1413&amp;oldid=prev</id>
		<title>Diogo at 17:00, 31 July 2019</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;diff=1413&amp;oldid=prev"/>
		<updated>2019-07-31T17:00:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:00, 31 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has worked in experimental music studios in Warsaw (1966), Paris (1969), Utrecht (1976), and Budapest (1987). Radovanović’s compositions were selected to represent Yugoslavia at three SIMC festivals (in 1969, 1976, and 1988). He has had 26 individual exhibitions and performances at home and abroad.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has worked in experimental music studios in Warsaw (1966), Paris (1969), Utrecht (1976), and Budapest (1987). Radovanović’s compositions were selected to represent Yugoslavia at three SIMC festivals (in 1969, 1976, and 1988). He has had 26 individual exhibitions and performances at home and abroad.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has won 11 domestic and international awards for music (including three first prizes at the Yugoslav Radio Music Competition, the October Award of the City of Belgrade in 1971, Second Prize for electroacoustic music in Bourges in 1979, Gianfranco Zafrani Award at Prix Italia in 1984, and First Prize at the International Review of Composers in Belgrade in 1998), three awards for literature (including the award of the then prestigious publisher Nolit in 1968), and eight in the visual arts (including the First Prize of the Ministry of Culture for best multimedia exhibition in 1992, the First Prize for video in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Sao Paolo &lt;/del&gt;in 1997, the First Prize of the City of Belgrade for visual arts in 2007, the Ivan Tabaković award for 2006/2008, and Mića Popović award for 2012).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has won 11 domestic and international awards for music (including three first prizes at the Yugoslav Radio Music Competition, the October Award of the City of Belgrade in 1971, Second Prize for electroacoustic music in Bourges in 1979, Gianfranco Zafrani Award at Prix Italia in 1984, and First Prize at the International Review of Composers in Belgrade in 1998), three awards for literature (including the award of the then prestigious publisher Nolit in 1968), and eight in the visual arts (including the First Prize of the Ministry of Culture for best multimedia exhibition in 1992, the First Prize for video in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;São Paulo &lt;/ins&gt;in 1997, the First Prize of the City of Belgrade for visual arts in 2007, the Ivan Tabaković award for 2006/2008, and Mića Popović award for 2012).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Serbian Profiles]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Serbian Profiles]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Diogo</name></author>
		
	</entry>
	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;diff=1412&amp;oldid=prev</id>
		<title>Diogo at 16:58, 31 July 2019</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;diff=1412&amp;oldid=prev"/>
		<updated>2019-07-31T16:58:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:58, 31 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Radovanović, born in 1932, is a peerless artistic figure in the field of music avant-garde and modernist tendencies not only in Serbian music, but in the arts as well. He graduated in composition at the Belgrade Music Academy in the class of Prof. Milenko Živković. In 1958, he participated in establishing the Mediala group. He initiated the founding of the Radio Belgrade Electronic Studio and was its head from 1972 to 1999. In 1993 he initiated the SINTUM Open Group Project. He was the head of the Electronic music Studio of Radio Belgrade from its foundation which was brought to fruition through his efforts and vision.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[File:67906138 2488427964548321 6787526071307730944 n.jpg|thumb|Vladan Radovanović]]Vladan &lt;/ins&gt;Radovanović, born in 1932, is a peerless artistic figure in the field of music avant-garde and modernist tendencies not only in Serbian music, but in the arts as well. He graduated in composition at the Belgrade Music Academy in the class of Prof. Milenko Živković. In 1958, he participated in establishing the Mediala group. He initiated the founding of the Radio Belgrade Electronic Studio and was its head from 1972 to 1999. In 1993 he initiated the SINTUM Open Group Project. He was the head of the Electronic music Studio of Radio Belgrade from its foundation which was brought to fruition through his efforts and vision.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Radovanović is a well respected artist in several artistic fields, being at the forefront of new tendencies in visual arts, literature and new media. In other words, coinciding with avant-garde trends, yet independently from them, he did research in the field of the vocovisual, projectism (1954), tactile art (1956), multimedia and body action (1957), tape music (1960), electronic music (1966), computer music (1976), and computer graphics (1988). The central position in his creative poetics is reserved for art synthesis. He has authored over 250 texts on music and new tendencies in art.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Radovanović is a well respected artist in several artistic fields, being at the forefront of new tendencies in visual arts, literature and new media. In other words, coinciding with avant-garde trends, yet independently from them, he did research in the field of the vocovisual, projectism (1954), tactile art (1956), multimedia and body action (1957), tape music (1960), electronic music (1966), computer music (1976), and computer graphics (1988). The central position in his creative poetics is reserved for art synthesis. He has authored over 250 texts on music and new tendencies in art.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Diogo</name></author>
		
	</entry>
	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;diff=1410&amp;oldid=prev</id>
		<title>Diogo at 16:54, 31 July 2019</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;diff=1410&amp;oldid=prev"/>
		<updated>2019-07-31T16:54:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:54, 31 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Radovanović, born in 1932, is a peerless artistic figure in the field of music avant-garde and modernist tendencies not only in Serbian music, but in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;art field &lt;/del&gt;as well. He graduated in composition at the Belgrade Music Academy in the class of Prof. Milenko Živković. In 1958, he participated in establishing the Mediala group. He initiated the founding of the Radio Belgrade Electronic Studio and was its head from 1972 to 1999. In 1993 he initiated the SINTUM Open Group Project. He was the head of the Electronic music Studio of Radio Belgrade from its foundation which was brought to fruition through his efforts and vision.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Radovanović, born in 1932, is a peerless artistic figure in the field of music avant-garde and modernist tendencies not only in Serbian music, but in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the arts &lt;/ins&gt;as well. He graduated in composition at the Belgrade Music Academy in the class of Prof. Milenko Živković. In 1958, he participated in establishing the Mediala group. He initiated the founding of the Radio Belgrade Electronic Studio and was its head from 1972 to 1999. In 1993 he initiated the SINTUM Open Group Project. He was the head of the Electronic music Studio of Radio Belgrade from its foundation which was brought to fruition through his efforts and vision.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Radovanović is well respected artist several artistic fields, being &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;on a &lt;/del&gt;forefront of new tendencies in visual arts, literature and new media. In other words, coinciding with avant-garde trends, yet independently from them, he did research in the field of the vocovisual, projectism (1954), tactile art (1956), &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;polymedia &lt;/del&gt;and body action (1957), tape music (1960), electronic music (1966), computer music (1976), and computer graphics (1988). The central position in his creative poetics is reserved for art synthesis. He has authored over 250 texts on music and new tendencies in art.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Radovanović is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/ins&gt;well respected artist &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/ins&gt;several artistic fields, being &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;at the &lt;/ins&gt;forefront of new tendencies in visual arts, literature and new media. In other words, coinciding with avant-garde trends, yet independently from them, he did research in the field of the vocovisual, projectism (1954), tactile art (1956), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;multimedia &lt;/ins&gt;and body action (1957), tape music (1960), electronic music (1966), computer music (1976), and computer graphics (1988). The central position in his creative poetics is reserved for art synthesis. He has authored over 250 texts on music and new tendencies in art.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has worked in experimental music studios in Warsaw (1966), Paris (1969), Utrecht (1976), and Budapest (1987). Radovanović’s compositions were selected to represent Yugoslavia at three SIMC festivals (in 1969, 1976, and 1988). He has had 26 individual exhibitions and performances at home and abroad.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has worked in experimental music studios in Warsaw (1966), Paris (1969), Utrecht (1976), and Budapest (1987). Radovanović’s compositions were selected to represent Yugoslavia at three SIMC festivals (in 1969, 1976, and 1988). He has had 26 individual exhibitions and performances at home and abroad.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Diogo</name></author>
		
	</entry>
	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;diff=1409&amp;oldid=prev</id>
		<title>Diogo: Created page with &quot;Radovanović, born in 1932, is a peerless artistic figure in the field of music avant-garde and modernist tendencies not only in Serbian music, but in art field as well. He gr...&quot;</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Vladan_Radovanovi%C4%87&amp;diff=1409&amp;oldid=prev"/>
		<updated>2019-07-31T16:49:08Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;Radovanović, born in 1932, is a peerless artistic figure in the field of music avant-garde and modernist tendencies not only in Serbian music, but in art field as well. He gr...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Radovanović, born in 1932, is a peerless artistic figure in the field of music avant-garde and modernist tendencies not only in Serbian music, but in art field as well. He graduated in composition at the Belgrade Music Academy in the class of Prof. Milenko Živković. In 1958, he participated in establishing the Mediala group. He initiated the founding of the Radio Belgrade Electronic Studio and was its head from 1972 to 1999. In 1993 he initiated the SINTUM Open Group Project. He was the head of the Electronic music Studio of Radio Belgrade from its foundation which was brought to fruition through his efforts and vision.&lt;br /&gt;
&lt;br /&gt;
Radovanović is well respected artist several artistic fields, being on a forefront of new tendencies in visual arts, literature and new media. In other words, coinciding with avant-garde trends, yet independently from them, he did research in the field of the vocovisual, projectism (1954), tactile art (1956), polymedia and body action (1957), tape music (1960), electronic music (1966), computer music (1976), and computer graphics (1988). The central position in his creative poetics is reserved for art synthesis. He has authored over 250 texts on music and new tendencies in art.&lt;br /&gt;
&lt;br /&gt;
He has worked in experimental music studios in Warsaw (1966), Paris (1969), Utrecht (1976), and Budapest (1987). Radovanović’s compositions were selected to represent Yugoslavia at three SIMC festivals (in 1969, 1976, and 1988). He has had 26 individual exhibitions and performances at home and abroad.&lt;br /&gt;
&lt;br /&gt;
He has won 11 domestic and international awards for music (including three first prizes at the Yugoslav Radio Music Competition, the October Award of the City of Belgrade in 1971, Second Prize for electroacoustic music in Bourges in 1979, Gianfranco Zafrani Award at Prix Italia in 1984, and First Prize at the International Review of Composers in Belgrade in 1998), three awards for literature (including the award of the then prestigious publisher Nolit in 1968), and eight in the visual arts (including the First Prize of the Ministry of Culture for best multimedia exhibition in 1992, the First Prize for video in Sao Paolo in 1997, the First Prize of the City of Belgrade for visual arts in 2007, the Ivan Tabaković award for 2006/2008, and Mića Popović award for 2012).&lt;br /&gt;
&lt;br /&gt;
[[Category: Serbian Profiles]]&lt;/div&gt;</summary>
		<author><name>Diogo</name></author>
		
	</entry>
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