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	<id>http://database.unearthingthemusic.eu/index.php?action=history&amp;feed=atom&amp;title=Autoconcert_%28Concert_Series%29</id>
	<title>Autoconcert (Concert Series) - Revision history</title>
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	<updated>2026-06-19T12:17:23Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Autoconcert_(Concert_Series)&amp;diff=1639&amp;oldid=prev</id>
		<title>Diogooutra at 15:10, 19 February 2020</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Autoconcert_(Concert_Series)&amp;diff=1639&amp;oldid=prev"/>
		<updated>2020-02-19T15:10:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:10, 19 February 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The ’Autoconcert’ was a concert series with three performances, which was organized to present pieces by four young Hungarian composers ([[Zoltán Jeney]], [[András Krizbai]], [[László Sári]], and [[László Vidovszky]]) in the Universal Stage of the Eötvös Loránd University of Sciences. The performances were on the 9th and 30th of April and on the 14th of May in 1973. The four composers were members of the contemporary music group ’[[New &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Musical &lt;/del&gt;Studio]].’ The eponym of the concerts was the ’Autoconcert’, a composition by László Vidovszky (1972), which became a famous performance: in an empty stage, invisible performers used hanged musical instruments (an organ by bamboo, an accordion, two cymbals and drumsticks, and a music box), and a metal hardware. The performers detached the objects at specific intervals, which made different sounds at first, then they were falling off. The happening was a metaphor of the decay of art, and also a demonstration of how gravity works in music.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The ’Autoconcert’ was a concert series with three performances, which was organized to present pieces by four young Hungarian composers ([[Zoltán Jeney]], [[András Krizbai]], [[László Sári]], and [[László Vidovszky]]) in the Universal Stage of the Eötvös Loránd University of Sciences. The performances were on the 9th and 30th of April and on the 14th of May in 1973. The four composers were members of the contemporary music group ’[[New &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Music &lt;/ins&gt;Studio]].’ The eponym of the concerts was the ’Autoconcert’, a composition by László Vidovszky (1972), which became a famous performance: in an empty stage, invisible performers used hanged musical instruments (an organ by bamboo, an accordion, two cymbals and drumsticks, and a music box), and a metal hardware. The performers detached the objects at specific intervals, which made different sounds at first, then they were falling off. The happening was a metaphor of the decay of art, and also a demonstration of how gravity works in music.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;youtube&amp;gt;https://www.youtube.com/watch?v=E8BNqRXDTnw&amp;lt;/youtube&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;youtube&amp;gt;https://www.youtube.com/watch?v=E8BNqRXDTnw&amp;lt;/youtube&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;References&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== &lt;/ins&gt;References &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Domokos Moldován (ed.): Autoconcert. Series of Amanita Muscaria, vol. I. Budapest, Universal Stage, 1973.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Domokos Moldován (ed.): Autoconcert. Series of Amanita Muscaria, vol. I. Budapest, Universal Stage, 1973.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Hungarian Happenings]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Hungarian Happenings]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Diogooutra</name></author>
		
	</entry>
	<entry>
		<id>http://database.unearthingthemusic.eu/index.php?title=Autoconcert_(Concert_Series)&amp;diff=1638&amp;oldid=prev</id>
		<title>Diogooutra: Created page with &quot;The ’Autoconcert’ was a concert series with three performances, which was organized to present pieces by four young Hungarian composers (Zoltán Jeney, András Krizb...&quot;</title>
		<link rel="alternate" type="text/html" href="http://database.unearthingthemusic.eu/index.php?title=Autoconcert_(Concert_Series)&amp;diff=1638&amp;oldid=prev"/>
		<updated>2020-02-19T15:10:07Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;The ’Autoconcert’ was a concert series with three performances, which was organized to present pieces by four young Hungarian composers (&lt;a href=&quot;/Zolt%C3%A1n_Jeney&quot; title=&quot;Zoltán Jeney&quot;&gt;Zoltán Jeney&lt;/a&gt;, András Krizb...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The ’Autoconcert’ was a concert series with three performances, which was organized to present pieces by four young Hungarian composers ([[Zoltán Jeney]], [[András Krizbai]], [[László Sári]], and [[László Vidovszky]]) in the Universal Stage of the Eötvös Loránd University of Sciences. The performances were on the 9th and 30th of April and on the 14th of May in 1973. The four composers were members of the contemporary music group ’[[New Musical Studio]].’ The eponym of the concerts was the ’Autoconcert’, a composition by László Vidovszky (1972), which became a famous performance: in an empty stage, invisible performers used hanged musical instruments (an organ by bamboo, an accordion, two cymbals and drumsticks, and a music box), and a metal hardware. The performers detached the objects at specific intervals, which made different sounds at first, then they were falling off. The happening was a metaphor of the decay of art, and also a demonstration of how gravity works in music.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;youtube&amp;gt;https://www.youtube.com/watch?v=E8BNqRXDTnw&amp;lt;/youtube&amp;gt;&lt;br /&gt;
&lt;br /&gt;
References:&lt;br /&gt;
* Domokos Moldován (ed.): Autoconcert. Series of Amanita Muscaria, vol. I. Budapest, Universal Stage, 1973.&lt;br /&gt;
&lt;br /&gt;
[[Category: Hungarian Happenings]]&lt;/div&gt;</summary>
		<author><name>Diogooutra</name></author>
		
	</entry>
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