http://database.unearthingthemusic.eu/index.php?action=history&feed=atom&title=Juan_Francisco_de_Dios_Hern%C3%A1ndez 2026-04-16T13:41:09Z Revision history for this page on the wiki MediaWiki 1.32.4 http://database.unearthingthemusic.eu/index.php?title=Juan_Francisco_de_Dios_Hern%C3%A1ndez&diff=2393&oldid=prev 2020-06-06T15:28:42Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:28, 6 June 2020</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td> <td colspan="2" class="diff-lineno">Line 4:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Written Works ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Written Works ==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">Las palabras </del>de la música. <del class="diffchange diffchange-inline">Escritos </del>de <del class="diffchange diffchange-inline">Ramón Barce (2009) </del>- <del class="diffchange diffchange-inline">Editor</del>.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">'''Books'''</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">Zaj-Barce-Zaj. 50 años de happening en España. C.I.P.P, ISBN -10: 1512722526; ISBN-13: 978-15-1472-252-7.          </ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Zaj-Barce-Zaj. 50 años. La quinta de Mahler y Gráficas Ballesteros, Madrid. Dep. Legal: M-1588-2014</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Leonardo Balada. La mirada oceánica. Editorial Alpuerto, Madrid. ISBN: 978-84-381-0455-2</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Ramón Barce. Hacia mañana, hacia hoy, Fundación Autor, Madrid, 2008. ISBN: 978-84-8048-759-7</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Ramón Barce. Música de cámara. Colección Vitor nº 216. Universidad de Salamanca. ISBN: 978-84-7800-340-2</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* De Dios Vega, J.F., Gómez Camacho, F., de Dios Hernández, J.F., Don Quijote de la Mancha y la Música, Casa de Castilla la Mancha y Diputación Provincial de Ciudad Real, Córdoba, 1998. Dep. legal: CR-227-1998</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">'''Articles'''</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Leonardo Balada. Aula de reestrenos”. En: Revista mensual </ins>de la <ins class="diffchange diffchange-inline">Fundación Juan Mach, mayo, 2008.        </ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Cantos de independencia”.  En: Historia 16, año XXXI, nº 373, mayo de 2007, pp.110- 117. ISSN: 0210-6353. Dep. Legal: M-12.869/76                    </ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Música para imaginar”. En: Audición, revista para profesores de </ins>música<ins class="diffchange diffchange-inline">, nº 9, año 2006, pp</ins>. <ins class="diffchange diffchange-inline">2-3. Editorial S.M. Dep. Legal: M-23493-2003.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Argumento”. En: Intermezzo, Amigos </ins>de <ins class="diffchange diffchange-inline">la ópera de Madrid, 2008. Dep. Legal. M- 26359- 2005.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “La rebelión de los símbolos”. En: Intermezzo, Amigos de la ópera de Madrid. Dep. Legal. M- 26359- 2005.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Ferrer Forés, M.A.; de Dios Hernández, J.F.: “Cantos para el caballero”. En: El  Trovador, nº 12 – Extraordinario, VI Jornadas de Ópera Abierta, pp. 6-11, junio de 2005. D.L.: CO-1387-1998</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Ópera española”. En: El  Trovador, nº 12 – Extraordinario, VI Jornadas de Ópera Abierta, pp. 21-26, junio de 2005. D.L.: CO-1387-1998</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Un palco para el soviet”. En: Historia 16, año XXVIII, nº 342, octubre de 2004, pp. 106-112. ISSN: 0210-6353. Dep. Legal: M-12.869/76</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “La Dialéctica de la frontera”. En: Cuadernos de INICE, Ponencias Jóvenes investigadores 2001, Salamanca, 2001, pp 169-173. ISBN: 84-930360-5-6</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Reflejos musicales en la República”. En Historia 16, año XXV nº 303, pag. 115 – 119. Madrid, 2001.  ISSN: 0210-6353. Dep. Legal: M-12.869/76</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “La voz en el siglo XX”. En: El Trovador, nº 3, segunda época, Córdoba, enero de  2001, pág. 15-19. Dep. Legal: CO-1387-1998</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “El Dúo de la Africana, una fuente documental, en La Zarzuela”. En: Revista de la Fundación de la Zarzuela Española, año V, nº 8, año 2004, pp- 20-21. Dep. Legal: M. 4.715-2000.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Cuatrocientos en diez”.  En: El Trovador, número extraordinario del X aniversario, Junio de 2000, pág 13-17. Dep. Legal: CO-1387-1998</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “La sombra del Soviet”. En: El Trovador, 2ª Época, Enero 2000. Córdoba, pág. 15- 17 Dep. Legal: CO-1387-1998</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “El silencio…no existe”. En: Colección Cuadernos de INICE 1999, pp. 167- 174. Salamanca, 1999, pág. 167-173. ISBN: 84-939360-3-X</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Cuando el sonido se extingue”. En: Revista de la Asociación de Amigos de la ópera de Córdoba, nº Extraordinario de las V Jornadas de Ópera Abierta, 2004 pp. 6 – 8. Dep. legal : CO- 1387 – 1998.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Retrospectiva”. En: El Trovador, 2ª Época, Marzo 1999, nº 2, pp.25-27. Córdoba, pág. 25- 27. Dep. Legal: CO-1387-1998</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “El Dúo de la Africana o la ópera itinerante en España”. En: El Trovador, 2ª época, Diciembre de 1998, nº 1, pp.11-13. Córdoba. Dep. Legal: CO-1387-1998</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “Los sonidos del Holocausto”. En: Cuadernos de INICE, nº 74-75, pp. 161- 170, Salamanca, 1997.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Ferrer Forés, M.A., de Dios Hernández, J.F.: “Aproximación  metodológica al análisis musical de la obra de Encina y su entorno”. En: Cuadernos de INICE, nº72-73, 1996. ISSN: 0211-5875</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* “La música como idea, la música como destino: Wagner y Nietzsche”. En Almirez, revista de UNED-Córdoba, año 1994, pp. 158</ins>-<ins class="diffchange diffchange-inline">161</ins>. <ins class="diffchange diffchange-inline">ISSN: 1134-1211</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Spanish Contributors]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Spanish Contributors]]</div></td></tr> </table>

Diogooutra http://database.unearthingthemusic.eu/index.php?title=Juan_Francisco_de_Dios_Hern%C3%A1ndez&diff=2391&oldid=prev 2020-06-06T15:19:56Z

<p>Created page with &quot;<a href="/File:Juan_Francisco_de_DiosThumb.jpg" title="File:Juan Francisco de DiosThumb.jpg">thumb|Dios Hernández, Juan Francisco. Photo taken from his profile at the Universidad Autónoma de Madrid website. </a> Juan Francisco d...&quot;</p> <p><b>New page</b></p><div>[[File:Juan Francisco de DiosThumb.jpg|thumb|Dios Hernández, Juan Francisco. Photo taken from his profile at the Universidad Autónoma de Madrid website. ]]<br /> <br /> Juan Francisco de Dios Hernández (born in 1973) is a doctor in History and Musical Science and a graduate in Musicology and Contemporary History from the University of Salamanca. He completed his doctoral studies at the Royal Holloway University. He has obtained several awards and numerous scholarships abroad. He is a professor of Music in Secondary Education. In his double role as researcher and interpreter, he is especially interested in special emphasis on contemporary music. He has performed concerts in Germany, Brazil, Hungary and England, as well as throughout Spain. <br /> <br /> ==Written Works ==<br /> * Las palabras de la música. Escritos de Ramón Barce (2009) - Editor.<br /> <br /> [[Category: Spanish Contributors]]</div>

Diogooutra